Nouchka van Brakel
Рождение : 1940-04-18, Amsterdam, Holland
История
Nouchka van Brakel is a Dutch film director known for her 1982 movie Van de koele meren des doods. That movie, and A Woman Like Eve, established her as an important Dutch feminist film director. Van Brakel said that her ambition is to make movies about women who want to change their lives and their societies.
herself
In 1984, Ate de Jong, Dick Maas and George Schouten founded The Directors, a band made up of movie directors. Later on, more directors joined and so did actors, actresses and singers. This documentary follows the band members at home, on the set, at rehearsals and during performances. It’s a story of friendship, opposing characters, growing old and ambitions and illusions. Anecdotes and archive films provide a hilarious flashback on the lives of the film friends. Time has treated them well. Everybody is or has been successful. To rough it all up, they decide to write a song that will be played at one of the band member’s funeral.
Director
Mary of Nazarene is one of the most popular female figures of our world's history. When feminist filmmaker and non-believer Nouchka van Brakel saw a painting of Mary, on which she was told that she would give birth to the Messiah, she was struck by Mary's rather reserved expression. Instead of happiness or humble devotion, the look on her face was doubtful. This fascinated Nouchka van Brakel, and led her to make AVE MARIA, a documentary on the one hand about this mythical, particularly beloved woman and on the other hand about her worshippers who make her Queen of Heaven. AVE MARIA portrays the untameable longing of mankind for the Mother of all mothers; from Virgin Mary, to Mother of the Son of God, to Lady of All Nations, to Queen of Heaven. What powerful emotions drive those devoted to Mary? Journeys to Turkey, Poland, Spain and The Netherlands gradually reveal the mystery.... A fascinating quest.
Director
Two friends meet again in the autumn of their lives. They have not seen each other for years, but soon find their renewed friendship put to the test when one of them falls ill and the other loses his newfound love.
Writer
Director
Writer
Two women decide to exchange lives after getting into contact through a newspaper ad.
Director
Two women decide to exchange lives after getting into contact through a newspaper ad.
Writer
Hedwig, a young wealthy woman growing up in the straight-jacket of bourgeois morality in the Victorian era, descends into madness after years of sexual repression and tragedy.
Director
Hedwig, a young wealthy woman growing up in the straight-jacket of bourgeois morality in the Victorian era, descends into madness after years of sexual repression and tragedy.
Writer
Ева замужем и у неё двое детей. Но она чувствует, что ей чего-то не хватает в жизни. Муж Эд считает, что у неё депрессия. Она отправляется с подругой Соней на отдых, на юг Франции. Там она знакомится с Лилианой, живущей в одной из коммун. Лилиана думает, что Ева и Соня - пара. Это предположение шокирует Еву, она рассказывает, что замужем. В последующие дни отдыха Ева часто навещает Лилиану. После возвращения в Амстердам Ева начинает обмениваться с Лилианой письмами. Когда та приезжает в Амстердам на феминистский съезд, подруги встречаются. Ева осознаёт, что влюбилась в девушку, у них начинается роман. Ева решает развестись с мужем. Долгий судебный процесс заканчивается тем, что детей оставляют Эду. Это тяжёлый удар для Евы, и она должна решить, может ли пожертвовать всем ради любви.
Director
Ева замужем и у неё двое детей. Но она чувствует, что ей чего-то не хватает в жизни. Муж Эд считает, что у неё депрессия. Она отправляется с подругой Соней на отдых, на юг Франции. Там она знакомится с Лилианой, живущей в одной из коммун. Лилиана думает, что Ева и Соня - пара. Это предположение шокирует Еву, она рассказывает, что замужем. В последующие дни отдыха Ева часто навещает Лилиану. После возвращения в Амстердам Ева начинает обмениваться с Лилианой письмами. Когда та приезжает в Амстердам на феминистский съезд, подруги встречаются. Ева осознаёт, что влюбилась в девушку, у них начинается роман. Ева решает развестись с мужем. Долгий судебный процесс заканчивается тем, что детей оставляют Эду. Это тяжёлый удар для Евы, и она должна решить, может ли пожертвовать всем ради любви.
Writer
The delicate story of the impossible love between an older married man and a fourteen-year old schoolgirl.
Director
The delicate story of the impossible love between an older married man and a fourteen-year old schoolgirl.
Director
Part of the anthology film Zwaarmoedige verhalen voor bij de centrale verwarming based on Heere Heeresma's darkly humourous short stories. This instalment is about a grocer who goes sailing with a postman whom he gets to know in a bizarre way. With Rijk de Gooyer and John Kraaijkamp Sr.
Director
A series of four stories written by the Dutch writer Heere Heeresma.
Assistant Director
Ничто не предвещало того, что встреча Эрика и Ольги продлится дольше нескольких часов. Эротическое приключение на заднем сидении автомобиля становится началом безграничной роковой любви, натуралистичные появления которой лицемерно отвергаются общественной моралью.
Writer
Short film, in which three boys want to go swimming on a Sunday afternoon, but one of the three has to look after his baby sister. They decide to take her to the park. The three of them come up with fun games to play with the baby, but they are constantly presented with new problems. However, the boys know how to find an answer to everything.
Director
Short film, in which three boys want to go swimming on a Sunday afternoon, but one of the three has to look after his baby sister. They decide to take her to the park. The three of them come up with fun games to play with the baby, but they are constantly presented with new problems. However, the boys know how to find an answer to everything.
Director
Short film about four boys who clash with the custodian of a construction site, because the growing number of buildings impedes on their playground. They devise all kinds of tricks to infiltrate the forbidden territory.
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
Director