A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
It’s not easy to rebel when your dad wants to join the party... One day (in 1979), Magnus and his son Nikolaj hit the wall in their new terrace house in Rykkinn. Magnus is an architect, hippie and free spirit, a glaring exception in a community where equality and conformity is the norm. He always stands up for his son, supporting him unconditionally, even when Nikolaj decides to stop giving a damn.
A full 15-track live set recorded over two nights in NYC at Irving Plaza. Setlist: Ultimate, Sally, Not A Crime, Dogs Were Barking, Wonderlust King, Mishto, Forces Of Victory, Tribal Connection, 60 Revolutions, Start Wearing Purple, Think Locally - Fuck Globally, Punk Rock Parranda, Illumination, Baro Foro
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
Documentary profile of singer-actress Eartha Kitt.
A disillusioned musician's romantic spark is ignited by a young trans man as they work together to save his community nightclub for the deaf.
It is the summer of 1984 in Schmalenstedt, in the middle of Holstein Switzerland, directly on the Baltic Sea. The 17-year-old Malte Ahrens, who calls himself Roddy Dangerblood, lives with his elderly parents in a farmhouse, is trained as a potter and has discovered for himself the punk that has made its way into Schmalenstedt with some delay.
Unsatisfied with a past mistake, Chandler returns home to set things right only to find himself thrown into a late-night odyssey with buddies Jules and Ty.
Led by the success of the B-52's and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80's. Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony and share the ideals of the land. Live performances of R.E.M.'s "Swan Swan H" and "Dream (All I Have To Do)" at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52's, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls and more
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.
Documentary based around performances of mostly Melbourne-based bands, including: My Disco! (Melbourne), Love Of Diagrams (Melbourne), Tucker B's (Sydney), Colditz Glider (Melbourne), Mukaizake (Perth), Aleks And The Ramps (Melbourne), Eddy Current Suppression Ring (Melbourne), Bang! bang! Aids! (Melbourne), Die! Die! Die! (New Zealand), The Tigers (Perth), Baseball (Melbourne)
Popp í Reykjavík (Pop in Reykjavik) is a film about the vibrant Icelandic music culture of the late '90s. It was released in 1998 and features interviews and concert footage of promising Icelandic bands like Gusgus, Bellatrix, Maus, Ensími, Quarashi, Botnleðja and Sigur Rós.
Thee Hypnotics were one of those late 80's / early 90's bands that dug deep into the roots of rock, filling the gap between alternative rock and metal with their retro-garage sound. Originally from High Wycombe, they set about tearing up the local scene before before spreading their disease across the UK, Europe, and beyond. Three parts loose 'n loud garage rock, one part grungedelic progpunk, Thee Hypnotics produced the kind of uplifting vibe that most of the big-league rock 'n rollers had lost years ago, and most of the newer bar-room gutter rock and tripped-out psyche revivalists could only dream of.
The pandemic has been hard on everyone, but Shuttlecock editor Aaron Rhodes is having a particularly tough time. With no real shows to be booked, he's been making up gigs in his head and handing out flyers for them in Westport. His friends are worried.
Stamplickers is a no budget feature film that follows a group of nihilistic postal workers delivering mail in the near future as the end of the earth is growing near. As the population of their town dwindles, their mail routes get shorter and shorter. Some upload their consciousness to the internet and others flee to join a doomsday cult, while the greasy mailmen (Keith, Spud, and Wendy) are content to drink some beer, taunt the town’s police force, and listen to heavy metal as they watch world burn. But when townspeople begin mysteriously disappearing into the sky, they are forced to confront their reality and the ties that bind them together.
