Maturita za školou (1973)

A compilation of shorts, diverse experimental content and more weird stuff spread directly from the devious mind of the South African film director Neill Blomkamp. Includes: Rakka, Firebase, Zygote, Kapture-Fluke, Cooking with Bill, Praetoria, God and Gdansk.

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

Five tales by Edgar Allan Poe come to life thanks to a pictorical style animation, five tales that exude madness, pestilence, murder and torture.

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.

Five directors tackle five short stories playfully tied together in one dark, twisted, humorous film about what goes on behind the door of room 316.

Sergio and Karen were a happy couple for a long time, shortly after his breakup he invites her ex-girlfriend to a date at her house, an encounter that turns dark and terrifying for Karen.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said

The second chapter of the "Troublesome Night" series, this movie consists of three stories. The first story is about a girl that called a radio show for advice and comfort after her boyfriend died tragically. One of the station DJs unconsciously suggested that she should commit suicide if she wants to be reunited with her beau. Unfortunately, the girl takes the suggestion and the DJ becomes racked with guilt as the girl's ghost returns to haunt him. The second story is about a group of friends voyage to the sea. During the trip, they encountered mysterious events after they rescued an eerie woman from a boat wreckage. The third story is about another DJ that quit his job after the untimely deaths of his co-workers. To escape the pain, he becomes a street racer. But, his thrill rides were hindered when he stumbled upon a sinister spirit by the roadside

Siblings find their dead uncle's secret stash VHS tapes. The tapes feature sick solicitors, gruesome dares, patricide, demonic technology, monstrous fruit and many more horrors. As they eagerly watch each of these shocking, bizarre, comedic and bloody movies, little do they know that they are conjuring something very ghoulish and gruesome. In the tradition of horror anthologies like V/H/S.

First, the tale of a doctor who hides the accidental death of his son. Second, the story of a sculptress who kills and makes a sculpture out of a habitual sex offender who breaks into her home. Third, the story of a detective who administers euthanasia to satisfy the wishes of a terminally ill younger brother. Last, the tale of a young girl who develops psychological problems after her mother is killed by her abusive father

Set along the southern coast of Vietnam during the French occupation in the 1940s, water is everywhere, giving life and bringing decay and rot. Kim is 15; his father and step-mother have two buffalo, their lifeline as subsistence rice farmers. During the rainy season, there's no grass and the buffalo are starving. Kim volunteers to take the beasts inland to find food. On this coming-of-age journey, Kim sees men mistreat women, men fight with men, and French taxes rob the poor. He works for Lap, a buffalo herder whose past is entangled with Kim's parents, and he makes friends who will lead him to his place in the world.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

A poignant overview of how short life can be, this interesting drama from Czech director Vojetch Jasny is divided into four separate segments. In the first skit, a young child's impressions are observed as his newborn baby sister becomes a part of the family. In the second, a young woman falls in love for the first time one summer, and in the third, a tough, older peasant woman battles against the farming cooperatives. Finally, in the last segment, everything comes full circle as a woman who is about to become a grandmother dies while her daughter-in-law has not yet given birth.

Movie narrates the story of Kuttiyappan and his wild fantasies..

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.