A dama de todos (2022)

Captured by smugglers when he was just a hatchling, a macaw named Blu never learned to fly and lives a happily domesticated life in Minnesota with his human friend, Linda. Blu is thought to be the last of his kind, but when word comes that Jewel, a lone female, lives in Rio de Janeiro, Blu and Linda go to meet her. Animal smugglers kidnap Blu and Jewel, but the pair soon escape and begin a perilous adventure back to freedom -- and Linda.

In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.

Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.

In 1946, in Soror city, three different stories intersect amid macabre events. While detectives Thomas and Carlos work in the unsolved cases of the mysterious body found in a tree and Serena Caires disappearance, those three stories get together suggesting the motivations of those respective crimes.

Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Movie posters are creations aimed at the dissemination of audiovisual pieces. When appreciated together, they can be understood from other elements. This film proposes to explore narratives about the feminine, told by posters, throughout Brazilian cinema.

In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.