Les corps aqueux
Genre :
Runtime : 0M
Director : Filémon Brault-Archambeault
Synopsis
An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.
Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."
Takashi Makino’s source of inspiration, our place in the world and the universe, never seems to dry up in view of the never-ending flow of immersive films. Generator may well be the earthiest of his films so far, made as a reaction to the Fukushima disaster. A reality check, but in the world that Makino shows, this can never be achieved without looking inwards too.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Dimitri, a Soviet cosmonaut of Soyouz 27 likes majorettes. Catherine and Laurent like making love. Jean-Paul II loves airports. Vincent loves boys.
Guillermo seems like your average high school student, but in fact he's a suave expert at cruising his local shopping malls for gay sex. From a random trick, to his English tutor, to the hottest guy he's ever seen, Guillermo is completely honest and reveals everything.
Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
Loosely based on the classic story of Sleeping Beauty, this irreverent fairy tale for modern audiences follows a man named Moses, whose frequent seizures are characterized by the appearance of Glintentica, a spurned Goddess planning her return to earth. Problems arise when Glintentica becomes determined to take over the soul of David, Moses' new love interest.
Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.
A gay couple from Hong Kong takes a trip to Argentina in search of a new beginning but instead begins drifting even further apart.
About the misadventures of Desidero, a pretty young Neapolitan transexual, and of his group of transvestite friends. Disappointed in love and politics, they set up an organic farm and psychological help centre for men in crisis.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Eight characters meet during New Year 's Eve , inexorably crossing their lives. Four men and four women, gay , lesbian and bisexual , dealing with everyday life, sentimental and working problems, jealousy and betrayals. "Good As You", acrostic of the word " gay ", was the slogan used by the homosexual movement in the sixties of the twentieth century , during the protest marches.
A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .