Les corps aqueux

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.

Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."

Takashi Makino’s source of inspiration, our place in the world and the universe, never seems to dry up in view of the never-ending flow of immersive films. Generator may well be the earthiest of his films so far, made as a reaction to the Fukushima disaster. A reality check, but in the world that Makino shows, this can never be achieved without looking inwards too.

男性と女性、両方の要素を持って生まれてきたブランドン。だが閉鎖的な町の人々は、衝撃の事件を引き起こしてしまう……。アカデミー賞主演女優賞に輝いたヒラリー・スワンクの演技が観どころ。

Dimitri, a Soviet cosmonaut of Soyouz 27 likes majorettes. Catherine and Laurent like making love. Jean-Paul II loves airports. Vincent loves boys.

Guillermo seems like your average high school student, but in fact he's a suave expert at cruising his local shopping malls for gay sex. From a random trick, to his English tutor, to the hottest guy he's ever seen, Guillermo is completely honest and reveals everything.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

Loosely based on the classic story of Sleeping Beauty, this irreverent fairy tale for modern audiences follows a man named Moses, whose frequent seizures are characterized by the appearance of Glintentica, a spurned Goddess planning her return to earth. Problems arise when Glintentica becomes determined to take over the soul of David, Moses' new love interest.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

夏休みを利用しておばちゃまの羽臼屋敷を訪れる“オシャレ”と6人の友人。だがおばちゃまはすでにこの世の人ではなく、戦死した恋人への思いだけで存在し続ける生き霊だったのだ。そして若返るためには少女を食べなければならない。ピアノや時計が少女たちを次々に襲い、羽臼屋敷は人喰い屋敷と化した……。

鳳学園に転校してきた男装の美少女・ウテナ。かつての恋人である冬芽と再会した彼女は、そこで彼と同じ薔薇の刻印のついた指輪を手にする。その指輪を持つ者は、"薔薇の花嫁"と呼ばれる美少女・アンシーを賭けて、決闘ゲームに参加しなくてはならない。そして、そのゲームに勝利すれば、彼女とエンゲージし"永遠があるという城"へ行くことが許されるのだ。女性であるウテナは巻き込まれるようにゲームに参加するも、生徒会副会長の西園寺、フェンシング部キャプテンの樹璃と対決し、次々と勝利を収めていく。こうしてアンシーとエンゲージすることになったウテナは、彼女を"外の世界"へ連れ出そうとする。だが、巨大な洗車ブラシに取り込まれ、自動車にされてしまうウテナ。アンシーはそんなウテナ・カーに乗り込むと、追手を振りきり閉ざされた世界からの脱出に成功するのだった。

香港映画界の鬼才、ウォン・カーウァイ監督が男同士の切ない愛を描いた恋愛ドラマ。惹かれ合いながらも、傷つける事しかできない男と男の刹那的な愛を綴ってゆく。徹底的に突き放した視点で彼等を捉える事で、より深い感情の揺れ動きを捉える手腕は流石。またアルゼンチンの雄大な自然美や、アストル・ピアソラの切ないメロディが映画を効果的に彩る。トニー・レオン、レスリーチャン共演。南米アルゼンチンへとやってきた、ウィンとファイ。幾度となく別れを繰り返してきた2人は、ここでも些細な諍いを繰り返し別れてしまう。そして、ファイが働くタンゴ・バーで再会を果たすが...。

About the misadventures of Desidero, a pretty young Neapolitan transexual, and of his group of transvestite friends. Disappointed in love and politics, they set up an organic farm and psychological help centre for men in crisis.

Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.

Eight characters meet during New Year 's Eve , inexorably crossing their lives. Four men and four women, gay , lesbian and bisexual , dealing with everyday life, sentimental and working problems, jealousy and betrayals. "Good As You", acrostic of the word " gay ", was the slogan used by the homosexual movement in the sixties of the twentieth century , during the protest marches.

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .