Across the Gulf (2023)

Christina (Claudia Karvan) is a school teacher from a wealthy Greek-Australian background, engaged to a lawyer and content with the traditional course of her life. She begins teaching at an inner-city working-class school and she finds her ideas challenged by the students. Involving herself in a campaign by a group of non-anglo students to form a soccer club in a school where the racist PE teacher only supports Australian Rules Football, Christina starts falling in love with aspiring soccer player, 17 year old Nick (Alex Dimitriades). The ensuing affair forces Christina to challenge herself, her family and the culture she lives in. Managing to effectively combine comedy with a refreshing examination of contemporary ethnic relationships in Australia, beautifully acted by a young cast, and insightfully scripted.

A surreal musical exploring the problems of the multicultural residents in a Notting Hill boarding house.

Seo In-woo and Tae-hee are students at the same university. They start dating soon after they meet each other for the first time. Seo In-woo is left devastated when he loses her in a car crash.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

A young mute student goes to the movies when ditching school, but changes his mind when he meets an unemployed man who tries to communicate with him. Through messages and games, the two will make a discovery they never imagined.

This melodrama follows the trials and tribulations of a single mother who dares to love. Hyun Hee (Mun Jeong Suk) makes a living running a coffee house. She has to support her illegitimate daughter and mother, and bear the scorn of those who look down on her. Hyun Hee falls in love with a married writer (Kim Jin Kyu), while another customer (Choi Mu Ryong) holds a torch for her. The romantic triangles that unfold lead to tragic consequences.

Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesn’t see coming is Zibby – a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

A recent widower deals with his grief through his wife's broken camera as he relives through her photos to find one last chance to be with her.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

It’s a paradox. Never before in history we have worked more efficiently. Never before we have saved time with more sophisticated technologies. Anyway, nearly all of us are feeling an increasing pressure of time. It seems that the same technology that has been invented to make our life better and easier, is now enslaving us. Why?

Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.

The twelve-year-old Carmen has to stay at home during the summer while most other people are on holiday. She plays with the the younger children Anders and Kerstin. Twenty-year-old Bengt-Olof is a little bit retarded and has no other friends of his own age. Therefore he frightens and mobs the children in the neighbourhood who first try to flee him. But after some days they plan their revenge...

Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.

In a cafe, people talk, their words become expresively-shaped balloons. An older waiter tries to connect with a young woman who's reading. She brushes him off, but gets into an animated and romantic conversation with a young man. A dog goes from table to table drinking beer and wine when people aren't looking. Older men talk about sexual conquests until one of their wives interrupts them. The young couple argues; he starts to leave, she pleads, he leaves anyway. The waiter tries to help. Old guys talk until they nod off. Women chat. Later, as the waiter cleans up, the finds the young woman's book. He sighs, the dog sleeps it off.

When a rare phenomenon gives police officer John Sullivan the chance to speak to his father, 30 years in the past, he takes the opportunity to prevent his dad's tragic death. After his actions inadvertently give rise to a series of brutal murders he and his father must find a way to fix the consequences of altering time.

Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.

In a small town in post-World-War-II France, an unhappy sixteen-year-old (Janine Castang) tries to escape her dreary situation by any means at her disposal. Three successive friends (Michel Davenne, a married lover; Raoul, a fellow thief; Mauricette Dargelos, a photographer and fellow prisoner) help her learn from her mistakes.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother, Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.