Sorry, Right Number (1987)

Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.

A married couple is terrorized by a series of videotapes planted on their front porch.

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

Trapped in The Twin Towers on September 11th, thousands of ordinary people struggled to make contact with the outside world. Many knew that time was ticking away. These recorded messages and private calls are the most powerful legacy to the families left behind. Often full of love and dignity they depict humanity at its best and most resourceful in the face of evil.

Alby (Nanaiah) works in a Nissan showroom. His wife, Ann (Murali), works as an RJ. Alby's old sweetheart, Nimmy (Sivadas) enters his life when she is deserted by her husband, Vishnu (Kailash), after he suspects her of an affair. Alby is forced to take her to a homestay, where they share a room together. The story takes a sudden turn when Nimmy is found dead. Alby tries to move on with his life until he is disturbed by a call from a stranger at 10:30 AM local time.

The film is a sequel to the 1988 film August 1, which was directed by Sibi Malayil, and written by S. N. Swamy. Following from August 1, Mammootty plays the character of the Crime Branch officer Perumal who investigates into an attempt of assassination on the chief minister of Kerala on the 15th of August, the Independence Day of India.

Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.

Scott starts work at a drive-in burger and ice cream restaurant when his paper route proves inadequate to raise the money he needs for a mail order karate course. He has determined that this course will help him gain the self-confidence he needs to get up the courage to call and ask Pam out to see a movie. Although at first just commenting on his mistakes, Becky, a co-worker, offers to help him make the crucial phone call. In the process Scott offers insights about how Joe is abusive in his relationship with Becky.

Talking to the camera, Margaret tells us about her friendship with God. "We talk every day," she explains. And at that moment, her phone rings, and it's God on the line. God's gossip is the best, Margaret tells us. Then, we see what happens to her when she and God have a falling out. Can they patch it up? Is she sane?

Two friends resort to playing Rock, Paper, Scissors, flipping a coin, and detailed, yet petty analyzation of their friendship to determine which of them will call the mother of their recently deceased best friend, informing her of his demise.

It's Halloween, and an elementary school teacher is being stalked by a mysterious caller. Meanwhile, sexy DJ Roxy Richards is making her scariest broadcast yet - but she may not realize how scary things are going to get when an old friend calls in...

A heavily sweating man, returning from a long trip, is telephoning from his car to speak to his wife. But he gets his daughter on the line. Lisette is constantly asking questions and tells about a drawing she made, but all the man is asking for is to get her mother. It seems he desperately wants to speak her, for what might be the last time. When Lisette is getting her mother out of the backyard, the man is still talking, telling Lisette should say to her mother he loves her. The sound of an approaching ambulance can be heard. When his wife finally gets on the phone, it's only a remarkable short conversation. She's asking him about his flight and to come back soon because Lisette misses him much. What is going on?

A desperate man makes a call to customer service looking for an answer.

An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.

A rich man (Glenn Ford) stuns his wife (Donna Reed) and town with a televised threat to his son's kidnapper.

Two young students at a prestigious prep school for girls are assailed by an evil, invisible power when they are stranded at the school over winter break.

A woman calls a suicide prevention hotline and is put on hold.

After losing the last two digits of a girl's number, a socially awkward fish enthusiast tries every combination to seek her out.

When Sarah, a New York actress, calls Joe, a London playwright they begin a very special relationship conducted through trans-Antlantic phone calls. And both Sarah and Joe have very special conditions they both have to fight to overcome their separation.