Sorry, Right Number (1987)

밤이 없이 낮만 계속되는 백야에 접어든 알래스카의 외딴 마을의 쓰레기 하치장에서 17세 소녀의 시체가 전라의 몸으로 발견된다. 용의자도 단서도, 목격자도 없는 이 의문의 사건을 수사하기 위해 LA 경찰청 소속의 베테랑 경찰관 윌 도너(알 파치노)와 그의 동료 햅(마틴 도노반)이 도착한다. 그들은 이내 살인사건의 일급 용의자로 은둔 소설가인 월터 핀치(로빈 윌리암스)를 지목하지만 월터는 잠복근무중인 윌과 햅을 따돌리고 사라진다. 추적중에 도너는 안개속에서 총을 발사하고, 이내 쓰러진 햅이 발견된다. 동료의 죽음에 대한 자책감으로 상심에 빠진 도너는 지역 경찰(힐러리 스왕크)의 도움을 받아 월터와의 대결에 나선다.

TV 문학 토론 프로그램 진행자인 조르쥬(다니엘 오떼유)와 그의 아내 안느 (줄리엣 비노쉬)는 중산층 가정의 평온한 삶을 누리며 살고있다. 어느날 그들에게 자신들의 일상사를 찍은 비디오테이프와 섬뜩한 메시지가 담긴 그림이 배달되고, 그들의 평화로운 일상에 파문이 일기 시작한다. 계속해서 배달되는 비디오테이프와 그림은 점점 더 그들의 은밀하고 사적인 생활들에 관한 내용과 결부되고 그들의 불안은 극으로 치닫는다. 범인만 찾으면 모든 것이 해결되리라 믿었던 그에게 과거의 잊혀졌던 기억들이 하나 둘씩 떠오르게 된다. 어린 시절, 숨기고 싶었던 기억은 악몽이 되어 그에게 돌아오고 조르쥬는 범인을 직접 찾아 나서게 된다. 그러나 범인을 알아낸 순간, 조르쥬는 더욱 끔찍한 진실과 마주하게 되는데....

전직 보험 수사관이었던 레너드에게 기억이란 없다. 자신의 아내가 강간당하고 살해되던 날의 충격으로 기억을 10분 이상 지속시키지 못하는 단기 기억상실증 환자가 되었던 것이다. 그가 마지막으로 기억하고 있는 것은 자신의 이름이 레너드 셸비 라는 것과 아내가 강간당하고 살해당했다는 것, 그리고 범인은 존 G 라는 것이 전부. 레너드는 자신의 가정을 파탄 낸 범인을 찾기 위한 방법으로 메모와 문신을 사용하게 된다. 하지만 진실에 다가갈수록 자신의 기억, 주위 사람들에 대한 의심이 갈수록 커져만 가는데...

Trapped in The Twin Towers on September 11th, thousands of ordinary people struggled to make contact with the outside world. Many knew that time was ticking away. These recorded messages and private calls are the most powerful legacy to the families left behind. Often full of love and dignity they depict humanity at its best and most resourceful in the face of evil.

Alby (Nanaiah) works in a Nissan showroom. His wife, Ann (Murali), works as an RJ. Alby's old sweetheart, Nimmy (Sivadas) enters his life when she is deserted by her husband, Vishnu (Kailash), after he suspects her of an affair. Alby is forced to take her to a homestay, where they share a room together. The story takes a sudden turn when Nimmy is found dead. Alby tries to move on with his life until he is disturbed by a call from a stranger at 10:30 AM local time.

The film is a sequel to the 1988 film August 1, which was directed by Sibi Malayil, and written by S. N. Swamy. Following from August 1, Mammootty plays the character of the Crime Branch officer Perumal who investigates into an attempt of assassination on the chief minister of Kerala on the 15th of August, the Independence Day of India.

Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.

Scott starts work at a drive-in burger and ice cream restaurant when his paper route proves inadequate to raise the money he needs for a mail order karate course. He has determined that this course will help him gain the self-confidence he needs to get up the courage to call and ask Pam out to see a movie. Although at first just commenting on his mistakes, Becky, a co-worker, offers to help him make the crucial phone call. In the process Scott offers insights about how Joe is abusive in his relationship with Becky.

Talking to the camera, Margaret tells us about her friendship with God. "We talk every day," she explains. And at that moment, her phone rings, and it's God on the line. God's gossip is the best, Margaret tells us. Then, we see what happens to her when she and God have a falling out. Can they patch it up? Is she sane?

Two friends resort to playing Rock, Paper, Scissors, flipping a coin, and detailed, yet petty analyzation of their friendship to determine which of them will call the mother of their recently deceased best friend, informing her of his demise.

It's Halloween, and an elementary school teacher is being stalked by a mysterious caller. Meanwhile, sexy DJ Roxy Richards is making her scariest broadcast yet - but she may not realize how scary things are going to get when an old friend calls in...

A heavily sweating man, returning from a long trip, is telephoning from his car to speak to his wife. But he gets his daughter on the line. Lisette is constantly asking questions and tells about a drawing she made, but all the man is asking for is to get her mother. It seems he desperately wants to speak her, for what might be the last time. When Lisette is getting her mother out of the backyard, the man is still talking, telling Lisette should say to her mother he loves her. The sound of an approaching ambulance can be heard. When his wife finally gets on the phone, it's only a remarkable short conversation. She's asking him about his flight and to come back soon because Lisette misses him much. What is going on?

A desperate man makes a call to customer service looking for an answer.

An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.

A rich man (Glenn Ford) stuns his wife (Donna Reed) and town with a televised threat to his son's kidnapper.

가톨릭 기숙학교인 브램포드 학교에서 생긴 악마 빙의 영화.

A woman calls a suicide prevention hotline and is put on hold.

After losing the last two digits of a girl's number, a socially awkward fish enthusiast tries every combination to seek her out.

When Sarah, a New York actress, calls Joe, a London playwright they begin a very special relationship conducted through trans-Antlantic phone calls. And both Sarah and Joe have very special conditions they both have to fight to overcome their separation.