The Relay (1927)

A sequence of unpublished photographs by Deborah Beer taken during the filming of the torture scenes on the set of "Salo, or the 120 Days of Sodom" is accompanied by the voice - recorded by Gideon Bachmann - of Pier Paolo Pasolini who directs the actors: a portrait of the director and his way of working that testifies its determined and passionate “filmmaking"

A dim witted, scrawny fellow from the country finds college full of bullies that trick him into various painful situations with the dean. His wife mistakes him for a prize athlete, and he's put on the football team. The big game includes unusual things like a mud hole on the field and a wasp nest substituting for the ball.

A young American girl in Paris falls in love with a handsome nobleman, but he is about to wed in an arranged marriage. She hatches a plan to overcome that obstacle and get her man.

This is a better than average Hamilton film thanks to the presence of a bratty kid who makes Lloyd's life miserable. It seems that Lloyd was hired as a combination chauffeur, butler, cook, etc. and isn't particularly adept at any of these tasks. however, to make things worse, there is a bratty kid in the home who does his best to ruin everything.

Lloyd Hamilton chasing a butterfly in the slapstick comedy "Papa's Boy".

Deborah Stratman brings past perspectives into the contemporary moment in a montage of unfinished film footage from artist Barbara Hammer with evocative sound, texts, and teachings from artist Maya Deren. Vever poetically draws connects between three generations of women filmmakers who separately, and now together, have taken on unknown challenges, and opened themselves up to reinterpretation in their filmmaking practices.

In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.

In this animated prequel to "Train to Busan," a group of survivors deals with a zombie pandemic that unleashes itself in downtown Seoul.

As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.

A woman enters a nightclub and slowly begins to open herself up.

Fleeing a group of forest rangers, who are rounding up tramps to serve as firefighters, they take refuge in a mansion. The owner has gone on vacation and the servants are away, so Hardy pretends to be the owner and offers to rent the house to an English couple. Hardy gets Laurel to pose as the maid. Unfortunately, the owner returns and tells the would-be renters that he owns the house; Laurel and Hardy then flee again and are caught by the rangers and forced to fight wildfires.

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...

The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.

The film follows a famous scientist who rules over his errant disabled daughter with an iron fist. He's meticulous and tyrannical, while she is impetuous but equally cruel in her own immature way.