Hotel Atlântico (2009)
Genre : Drama
Runtime : 1H 47M
Director : Suzana Amaral
Synopsis
A road movie that follows a solitary man as he sets of on a journey to the south of Brazil. The strange characters and absurd situations he encounters along the way present an extraordinary portrait of human relations.
"Low Visibility" finds a man wandering alone on a snowy mountain roadside, waving his arms and shouting at the sky. The enigmatic Mr. Bones, an apparent amnesiac, is unable or unwilling to explain what has happened to him.
Siao Yu needs a Green Card. Mario Moretti needs his debts paid. Getting married could solve their problems, or multiply them.
Marine Life revolves around the choatic family life of June, a middle-aged lounge singer and mother. Aging and twice divorced, lounge singer June Nordstrom tries to cope with her fading beauty, her troubled offspring, her waning career and her young lover, who begins seeing a woman his age behind June's back.
A teenager together with her little brother are sent to there mother for the summer....but there are complications when she goes to a near by beach..
After a long voyage from Scotland, pianist Ada McGrath and her young daughter, Flora, are left with all their belongings, including a piano, on a New Zealand beach. Ada, who has been mute since childhood, has been sold into marriage to a local man named Alisdair Stewart. Making little attempt to warm up to Alisdair, Ada soon becomes intrigued by his Maori-friendly acquaintance, George Baines, leading to tense, life-altering conflicts.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
In a strict boarding school nestled in the Himalayas, 16-year-old Mira discovers desire and romance. But her sexual, rebellious awakening is disrupted by her mother who never got to come of age herself.
A short visual meditation, OF THE UNKNOWN is set in Hong Kong where millionaires and the ‘working poor’ live side by side in one of Asia’s wealthiest and most densely populated cities. The film explores how our notions of freedom and happiness are shaped by the place we occupy, both literally and metaphorically, in our society. What is the importance of freedom when one faces a daily struggle for survival? Is it even possible to have dreams, or to dream, if one was never given any opportunities in life? https://vimeo.com/113548756
Markus is in an institution for young sex offenders. He is a shy boy whose face tells wordless stories. There is no physical proximity at the institution, so the inmates wrestle. It is a place where skinlessness quivers in the air. Markus's only friend in the institution is the wayward, violent Tobias. Markus's trial approaches, and then Tobias will find out why Markus has been locked up.
New Years eve is closing in on a group of young girls locked up behind unbreakable glass windows, enduring a life of meninglessness. A long anticipated fireworks celebration that could break the somberly atmosphere is cancelled at the last minute – a decision that could be life changing for all involved.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
Hao's Singaporean restaurant is in danger of going out of business. Hao's grandson, Mark, secretly travels to Shanghai to attend a cooking competition despite his grandfather's wishes for him to become an engineer. Mark takes the place of a contestant who did not show up and must now impress the host, Julia Lee, and her chef husband, David Chen. Chen, who is originally from Singapore and misses his family, eventually learns he is Mark's father.