We've Never Been Licked (1943)
UNCLE SAM LEADS THE WAY!
Genre : Drama, Romance
Runtime : 1H 43M
Director : John Rawlins
Writer : Nick Grinde
Synopsis
Young Brad Craig enters the military school with a chip on his shoulder which upperclassmen quickly knock off. Once adjusted, Craig falls in love with a professor's beautiful daughter, only to find she is in love with his roommate.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Epic story about two families and their friendship and common destiny in Sweden's Gothenburg in the 1940s and 1950s. Told from the perspective of young Simon Larsson, who learns that he's an adopted child who has a Jewish father from Germany. After WWII Simon travels to explore his roots - a journey that leads to the basic mysteries of the human life. After the bestselling novel by Marianne Fredriksson.
A young girl's brother comes home from the army, and brings an army buddy with him. The three of them go out that night to celebrate, and after much drinking has been done, the brother's friend rapes the sister. After the two men have gone back, the girl finds that she's pregnant--and discovers that her parents don't blame the soldier, but blame her.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans.
Germany, Baltic Sea coast, May 1945, a few days before the end of World War II. A small Soviet patrol arrives at an isolated house where an elderly baroness gives shelter to a group of orphan girls and a boy who is determined to continue the fight.
This time, Kapa and Pepe are first of all prisoners of war – and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldn’t the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.
During the winter of 1943, the German army halted the American advance in the mountains of Italy; back-and-forth combat decimates Joe Peterson's platoon. On leave in Naples, Joe meets WAC lieutenant Eleanor MacKay; initially cool, she begins to melt during a bombing raid. Their romance develops despite Joe's periodic returns to the front. But whether he'll come back in the end becomes more than doubtful...
In this erotic thriller (Vittoria Bellevedere) is cast as the stereotypical evil woman who charms innocent men with her physical attractions and then destroys them like a praying mantis munching on her unfortunate mate, head first, just after their sexual union. Unlike the female mantis, this woman slowly ruins the life of the man she has seduced instead of finishing him off immediately - providing fodder for the film, and scenes reminiscent of Fatal Attraction and Basic Instinct.
A poor singer in a bar masquerades as a rich society woman thanks to a rich benefactor.
The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.
Deserted by his father, and dislocated by the Second World War, Paul is a boy who wants affection and attention and cannot find it at home. For a while, he becomes the pet of some German soldiers, running errands for them. Later, he helps the Resistance, and when the Americans come to stay, he is really in his element with them.
Four sisters in New Zealand fall for four U.S. soldiers en route to the Pacific theater in WWII.
Hungary, end of World War II. Five Hungarian soldiers desert their troop which has been directed to Germany. They are escaping with the help of a stamp and unfilled travelling warrants, trying to survive until the war ends.
A group of people are invited to a party at a creepy mansion where legend has it a ghost appears once a year.
Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.