We've Never Been Licked (1943)

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

不況時代のアメリカ30年代に実在した男女二人組の強盗、ボニーとクライドの凄絶な生きざまを描いた、アメリカン・ニューシネマの先駆け的作品。ケチな自動車泥棒だったクライドは、気の強いウェイトレスの娘ボニーと運命的に出会い、コンビを組んで強盗をやりはじめる。二人は順調に犯行を重ねていくが……。アカデミー賞2部門を受賞（助演女優賞エステル・パーソンズと撮影賞）した。

戦火近づく'40年の仏領モロッコ、カサブランカは、自由を求めて渡米しようとする人々で溢れていた。ナイトクラブを経営するリックの元へ、ナチの手を逃れてここまでやって来た抵抗運動の指導者が現れる。だがその人物の妻は、かつてパリでリックと恋に落ちたイルザだった……。

深い心の傷を負った天才青年と、同じく失意の中にいた精神分析医がお互いにあらたな旅立ちを自覚して成長してゆく姿を描く感動のヒューマン・ドラマ。ボストンに住む青年ウィルは、幼い頃から天才ゆえに周囲から孤立していた。だが、彼の才能に気付いた数学教授のランボーは、ウィルに精神分析医のショーンを紹介する。ウィルはショーンにしだいに心を開いてゆくが、彼の才能に気付いた政府機関や大企業が接近してくる。

バイオレンス映画の巨匠サム・ペキンパー監督が、20世紀初頭のメキシコを舞台に滅びゆくアウトローたちの姿を描いた傑作西部劇。1913年、アメリカ・テキサスでの銀行強盗に失敗したパイクら強盗団はメキシコに逃走する。旧友ソーントンら賞金稼ぎに追われる中、メキシコ政府のマパッチ将軍の依頼で米軍用列車から武器を強奪するパイクたちだったが、マパッチの裏切りに遭い、仲間を人質に取られてしまう……。スローモーションに細かいカットを挿入するペキンパーのアクション演出は後続に大きな影響を与えた。出演はウィリアム・ホールデン、アーネスト・ボーグナイン。

Epic story about two families and their friendship and common destiny in Sweden's Gothenburg in the 1940s and 1950s. Told from the perspective of young Simon Larsson, who learns that he's an adopted child who has a Jewish father from Germany. After WWII Simon travels to explore his roots - a journey that leads to the basic mysteries of the human life. After the bestselling novel by Marianne Fredriksson.

A young girl's brother comes home from the army, and brings an army buddy with him. The three of them go out that night to celebrate, and after much drinking has been done, the brother's friend rapes the sister. After the two men have gone back, the girl finds that she's pregnant--and discovers that her parents don't blame the soldier, but blame her.

This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans.

Germany, Baltic Sea coast, May 1945, a few days before the end of World War II. A small Soviet patrol arrives at an isolated house where an elderly baroness gives shelter to a group of orphan girls and a boy who is determined to continue the fight.

This time, Kapa and Pepe are first of all prisoners of war – and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldn’t the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.

During the winter of 1943, the German army halted the American advance in the mountains of Italy; back-and-forth combat decimates Joe Peterson's platoon. On leave in Naples, Joe meets WAC lieutenant Eleanor MacKay; initially cool, she begins to melt during a bombing raid. Their romance develops despite Joe's periodic returns to the front. But whether he'll come back in the end becomes more than doubtful...

In this erotic thriller (Vittoria Bellevedere) is cast as the stereotypical evil woman who charms innocent men with her physical attractions and then destroys them like a praying mantis munching on her unfortunate mate, head first, just after their sexual union. Unlike the female mantis, this woman slowly ruins the life of the man she has seduced instead of finishing him off immediately - providing fodder for the film, and scenes reminiscent of Fatal Attraction and Basic Instinct.

A poor singer in a bar masquerades as a rich society woman thanks to a rich benefactor.

The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.

Deserted by his father, and dislocated by the Second World War, Paul is a boy who wants affection and attention and cannot find it at home. For a while, he becomes the pet of some German soldiers, running errands for them. Later, he helps the Resistance, and when the Americans come to stay, he is really in his element with them.

Four sisters in New Zealand fall for four U.S. soldiers en route to the Pacific theater in WWII.

Hungary, end of World War II. Five Hungarian soldiers desert their troop which has been directed to Germany. They are escaping with the help of a stamp and unfilled travelling warrants, trying to survive until the war ends.

A group of people are invited to a party at a creepy mansion where legend has it a ghost appears once a year.

Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.