The Bright Night (1978)

Perseus tries to live a quieter life as a village fisherman while - dangerously weakened by humanity's lack of devotion - the gods are losing control of the long-imprisoned Titans and their ferocious leader, Kronos.

Born of a god but raised as a man, Perseus is helpless to save his family from Hades, vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny.

To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken.

When villagers begin disappearing it is discovered that they had fallen through a crack in the earth which goes straight to Hades. Hercules once again comes to the rescue and faces one of his most difficult challenges, and must prove himself as a man as well as a god. "Hercules in the Underworld" is the fourth made for TV movie in the series Hercules: The Legendary Journeys.

In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion—but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.

Hercules comes to the aid of a young woman who is seeking the lost city of Troy. Eventually, Hercules leads her to a camp of refugees from the city, which has been taken over by Hera's Blue Priests. Hercules helps the refugees take back the city. "Hercules and the Lost Kingdom" is the second movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

When all the earth's fire begins to go out, Hercules and Deianeira must go in search for fire to stop the world from cold. "Hercules and the Circle of Fire" is the third movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

Hercules and Iolaus take time out from Iolaus' wedding preparations, to help a distant village under attack from "monsters". When they reach their destination, they find the monsters are in fact Amazonian women who are controlled by Hera. "Hercules and the Amazon Women" is the first movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!

When Seiya, Hyōga and Shun visit Saori (Athena) at the orphanage, they meet an employee called Eri. An orphan herself, Eri takes a liking to Hyōga and one night they sit outside watching the stars. They see a shooting star and Hyōga asks Eri to make a wish. After Hyōga leaves, however, Eri becomes powerfully attracted to the shooting star and wanders alone into the woods, where she finds a golden apple. She is then possessed by Eris, the Goddess of Discord, and kidnaps Athena, planning to use the golden apple to suck her energy out, fully reincarnate and take over the world. Eris leaves a message for the Bronze Saints, who set out for the goddess's temple which appears on the mountains. There, the heroes fight the five Ghost Saints: Maya of Sagitta, Orpheus of Lyra, Christ of the Southern Cross, Jan of Scutum (called by the Japanese name Tateza) and Jäger of Orion.

Athena receives the visit of Phoebus Abel, her older brother and God of the Corona. He informs her that he has come to destroy humanity as punishment for their corruption, just as it was done in ancient times. He dismisses Seiya and the Bronze Saints, as she will now be guarded by Abel's three Corona Saints, Atlas of Carina, Jaow of Lynx and Berenike of Coma Berenices, and the five resurrected Gold Saints who died in the Sanctuary battle: Saga of Gemini, Deathmask of Cancer, Shura of Capricorn, Camus of Aquarius and Aphrodite of Pisces. When Athena rebels against Abel's plan, he attacks her, sending her soul to Elysion, the final resting place from which there is no return. The Bronze Saints immediately rush to the Sanctuary to save her and ultimately overcome Abel.

The plot involves the coming of Lucifer to the Sanctuary, where his underlings systematically dispose of the surviving Gold Saints. Athena goes to Lucifer to ask for peace, placing herself in peril. The Bronze Saints must then come to her rescue, destroying Lucifer's Fallen Angels (Seima Tenshi in Japanese) in the process.

In Siberia, Hyōga saves a man that is being attacked. Injured, the man manages only to say something about Asgard. Some days later, Saori, Seiya, Shiryū and Shun are wondering about Hyōga and decide to go to Asgard to investigate. At Valhalla, the Lord of Asgard, Dolbar, says he has not heard of any Hyōga and neither has his right hand, Loki. However, at all times Seiya and the others can feel an evil cosmo emanating from Loki and the other Odin Saints called God Warriors. Shiryū, in particular, notices a familiar cosmo coming from Midgard, a mysterious, masked God Warrior. Dolbar makes it clear that he is trying to take control of both Asgard and the Sanctuary, imprisoning Athena in a strange dimension within the giant statue of Odin. Midgard reveals himself as Hyōga and tries to kill Shiryū to prove himself to Dolbar. Thus, it is the task of the Bronze Saints to defeat Dolbar, Loki and the rest of the God Warriors, to save Athena and Hyōga.

Jason, a fearless sailor and explorer, returns to his home land of Thessaly after a long voyage to claim his rightful throne. He learns, however, that he must first find the magical Golden Fleece. To do so, he must embark on an epic quest fraught with fantastic monsters and terrible perils.

Hercules has settled down with his wife and children, but misses the good old days traveling around having exciting adventures. Then one day he is persuaded out of his farming "retirement" to help a distant village which is being attacked by an unseen monster. "Hercules in the Maze of the Minotaur" is the fifth out of five made for TV movies that spawned the series "Hercules: The Legendary Journeys".

A common thief joins a mythical god on a quest through Egypt.

This film directed by T.J. Scott is a prequel to the popular television series. At an academy for mythological warriors, 17-year-old Hercules (Ian Bohen) meets Jason, the next in line to rule Corinth. When Jason discovers that his father is ill, Hercules decides to seek out the Golden Fleece that could cure him. But limitations to his powers, as well as his half-brother Ares, stand in his way. Filmed against the breathtaking scenery of New Zealand.

A Greek warrior must travel to the Underworld and battle killer hellhounds in order to rescue his murdered bride from the clutches of Hades.

Fourteen hundred years ago, a tormented soul walked the earth that was neither man nor god. Hercules was the powerful son of the god king Zeus, for this he received nothing but suffering his entire life. After twelve arduous labors and the loss of his family, this dark, world-weary soul turned his back on the gods finding his only solace in bloody battle. Over the years he warmed to the company of six similar souls, their only bond being their love of fighting and presence of death. These men and woman never question where they go to fight or why or whom, just how much they will be paid. Now the King of Thrace has hired these mercenaries to train his men to become the greatest army of all time. It is time for this bunch of lost souls to finally have their eyes opened to how far they have fallen when they must train an army to become as ruthless and blood thirsty as their reputation has become.

In Ancient Greece 1200 B.C., a queen succumbs to the lust of Zeus to bear a son promised to overthrow the tyrannical rule of the king and restore peace to a land in hardship. But this prince, Hercules, knows nothing of his real identity or his destiny. He desires only one thing: the love of Hebe, Princess of Crete, who has been promised to his own brother. When Hercules learns of his greater purpose, he must choose: to flee with his true love or to fulfill his destiny and become the true hero of his time. The story behind one of the greatest myths is revealed in this action-packed epic - a tale of love, sacrifice and the strength of the human spirit.

A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

A visual and sound montage about a fighting bull in the arena.

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

Inspired by the Cantat-Trintignant drama.

An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.

In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.

Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.

“I’m dying to live.” These words from Saint Teresa of Ávila are said by Mother Aloïse Osée when she is about to separate forever from Don Jerome.

Film produced as part of the Festival Pocket Films Forum Images.

Processions during a holy week in Valladolid.

A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.

A baker knew the cosmonaut child who now revolves around Earth.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

Discovery of the land of Iceland, an island shaken by the manifestations of its volcanic activity (geysers, storms), characterized by a rich maritime activity and millennial traditions.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.