Chip Off the Old Block (1944)

A detective who has "four hours to kill" before delivering his prisoner, an escaped killer, spends the time in the lobby of a Broadway theater where a musical is playing. The film focuses on the relationship between the two men, and also between various characters in the theater audience, staff and cast.

A new Broadway show starring Gary Blake shamelessly lampoons the rich Carraway family. To get her own back, daughter Mimi sets out to ensnare Blake, but the courtship is soon for real, to the annoyance of his co-star, hoofing chanteuese Mona Merrick.

A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.

An all-star cast performs the music of one of the greatest composers of our time... Stephen Sondheim. Anxiously anticipated by the myriad fans of the legendary composer, Putting It Together marked the return of Carol Burnett to the Broadway musical stage for the first time in over 35 years. Stephen Sondheim has won a record seven Tony Awards for his songwriting, and the Pulitzer Prize for Sunday in the Park with George. His Broadway smash shows and movies include Gypsy, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Dick Tracy, and West Side Story. This Cameron Mackintosh stage production was captured live in performance during its Broadway run and recorded in high definition with a widescreen format using ten cameras and over 40 microphones.

An all-dog cast (with human voiceovers) recreates famous scenes from early musical films, particularly The Broadway Melody. The finale is a chorus line of dogs performing "Singing in the Rain" spoofing Cliff Edwards' original version of the song in The Hollywood Revue of 1929. Also spoofed is Al Jolson's performance of "Mammy" in The Jazz Singer.

Broadway showgirl Evelyn Nesbit (Joan Collins) is the object of affection of two men: playboy architect Stanford White (Ray Milland) and wealthy but unstable Harry Thaw (Farley Granger). She marries Thaw, but White’s continued pursuit puts him in the path of Thaw’s volatile temper. Inspired by true events that occurred at the turn of the 20th century.

A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by Tony Fontana

Company centers on Bobby, a confirmed bachelor, celebrating his 35th birthday with his ten closest friends, who happen to be five couples.

A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.

Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.

Rick Belrow Livingston, in love with Broadway star Lisa, is sentenced to 30 days in jail for speeding through a small town. He persuades the judge's daughter Cindy to let him leave for one night, so that he can visit Lisa on her birthday. After that he goes on the town with Cindy and she falls in love with him. But Dr. Schemmer wants his son to become her husband.

When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.

A married singer, pianist/composer team are struggling to hit it big in New York. Finally, they audition before a Broadway producer, but the producer only wants the singer, leaving the husband without a job and feeling a failure.

A young woman (Janet Leigh) leaves her small hometown in Vermont and travels to New York City with hopes of becoming a Broadway star.

Maverick Navy lieutenant Tom Dodge will never be a textbook officer, but he's a brilliant seaman who's always wanted to command a nuclear submarine — he's been given one last chance to clean up his record. Unfortunately, Admiral Graham, his nemesis, would rather sink the fleet than give Dodge his own boat. So, Graham stacks the deck against him and assigns Dodge to the Stingray, a diesel-powered WW2 submarine that can barely keep afloat. To make matters worse, Dodge's crew is a collection of maladjusted, mistake-prone misfits. Then, he's tagged the "enemy" in a crucial war game, and ordered to take on the U.S. Navy's best.

In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

A collection of fairy tale characters head into the woods, and soon learn that fairy tales don't end at "happily ever after." This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with its original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season ten, episode one).