Night Fare (2015)

Perez kidnaps the President's daughter to trade her for imprisoned revolutionaries.

During his entire existence, art teacher Benavidez has been living in the shadow of his formidable father, a famous artist who constantly reminded his son of his lack of talent and vision. Even more painful is that the love of his life, one of his ex-students, reveals herself to be a gifted artist. To some she’s even considered to be the true successor to Benavidez’s father. It’s no wonder that this creates tensions and after a devastating lovers quarrel, Benavidez puts all his artworks into a big case and, having nowhere else to go, drags it to his shrink. The man specializes in treating creative spirits and even has an artist’s colony in the basement of his huge mansion. As part of their therapy, his patients produce artworks that get sold for lucrative prizes at auctions organized by the psychiatrist himself. When he looks at what’s inside the case of Benavidez, he realizes that the son has finally surpassed his father.

In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.

A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once the big top's owner spots the young roustabout defying gravity on the trapeze, however, he endeavors to pair Josef with his aerialist daughter Alice in a perilous sky-high pas de deux. Offers a romantic view of big top life, with a moth-eaten angel in his feathered, tattered costume.

Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.

Sent to Afghanistan for 6 months, legionnaires Markov and Hamilton are caught in an ambush during an unauthorized expedition. Markov saves Hamilton, seriously wounded by rebel fire, but leaves the Legion without honors. Once back in Paris, Hamilton, convalescing, hopes to remain a legionnaire, while Markov, now a civilian and without working papers, tries to make ends meet with his son Khadji. Hamilton lends his identity to his Chechen friend, so that he can work legally. But one day, Markov disappears, leaving Hamiltion disorientated and Khadji alone in the world.

Generation Startup takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit. Shot over 17 months, it's an honest, in-the-trenches look at what it takes to launch a startup. Directed by Academy Award winner Cynthia Wade and award-winning filmmaker Cheryl Miller Houser, the film celebrates risk-taking, urban revitalization, and diversity while delivering a vital call-to-action-with entrepreneurship at a record low, the country's economic future is at stake.

Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.

"Drudge," What was supposed to be a romantic night in for a young couple, quickly turns into a terrifying encounter with Drudge.

After a car accident, Jake is rescued by Morris and brought to his remote farmhouse. As he recovers from his injuries, Jake soon begins to suspect that something is very wrong. Morris has sinister plans for his new houseguest.

Working class Danny aims to kick start a revolution by turning the tables on the establishment with a deadly game of chance.

Rebekka travels back to a hotel by the Norwegian fjords seeking revenge on the man who ruined her sister's life. Under false identity, she seeks out her deceased sister's violator and embeds herself into his idyllic family to destroy his life.

After wrongly doing time in prison for murder, a man seeks revenge on a racist law enforcement system and the detective who framed him.

A crusading politician falls prey to the temptations of power.

A soldier returns from Vietnam on special assignment, accompanying the body of his friend by train to California for burial. During the trip, he falls in love with a gentle college student. But their relationship is shattered by his flashbacks to combat.

Two wagon caravans converge at what is now Kansas City, and combine for the westward push to Oregon. On their quest the pilgrims will experience desert heat, mountain snow, hunger, and Indian attack. To complicate matters further, a love triangle develops, as pretty Molly must chose between Sam, a brute, and Will, the dashing captain of the other caravan. Can Will overcome the skeleton in his closet and win Molly's heart?

First a Girl is a 1935 British comedy film directed by Victor Saville and starring Jessie Matthews. First a Girl was adapted from the 1933 German film Viktor und Viktoria written and directed by Reinhold Schünzel.

“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning and ‘nonsense’. All of these strategies are much in evidence in (Land’s) marvelously duplicitous ON THE MARRIAGE BROKER JOKE… [...] so clever and original a filmmaker as to make most others – not to mention his critics – seem flat-footed by comparison. ON THE MARRIAGE BROKER JOKE harks back to Bunuel’s early work. Not only is it structured like a dream and filled with sexual imagery, but like Un Chien Andalou, it smacks of being an insider’s joke played upon the avant-garde. Where Bunuel used the insights of psychoanalysis to satirize Christianity, Land– with an almost equal perversity – reverses the process and uses Christianity to send up Freud.” – J. Hoberman, American Film

A man serving a sentence in a minimum-security prison. Life in the jail is rigid and organized, eventually leading all of the cell-mates to abandon their individuality.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.