Limits of the Circle (2005)

Early Shahram Mokri short film, for which he won Best Director at the 2007 Noor Iranian Film Festival

"Minus" is a fiction and at the same time experimental movie, which doesn't enjoy any distinct geography, language and time. The events occur in a razor producing company, in which a young and simple retainer is working, who has special capabilities. He knows telepathy and he can read the minds of all people and even things. Most of the time, his predictions increase his ability of presentiment.

Johanna loves poor farmer Joachim, yet marries the wealthy miller. One day, Joachim visits Johanna when he is away. When the miller finds out, he takes revenge.

Experimental short film based on M.C. Escher's paintings.

In a remote village in the "land of roses and nightingales" one day surfaces a stranger: William Knox D'Arcy. To enact his plan for exploiting the wealth and the natural resources of this land, he sends after his cronies who descend upon the village in a big balloon. Among them is Cindrella a lady of electrifying beauty who is enlisted to keep the illiterate and lecherous villagers under her charm and make them follow D'Arcy's plans...

Film based on the famous Iranian novella by Sadegh Hedayat, considered one of the great works of modern Persian prose. A man who is perhaps losing his mind spits his murderous fantasies and confessions at a shadow on the wall of his room that has the shape of an owl.

Calamity by four-year old might be another title for this tense, humorous drama. In the story, a four year old boy (Mohammed Aladpoush) is left at home with his baby brother while his mother goes out shopping. She has told him to give the baby his bottle while she is away. However, the boy has a different idea about what he should do, and consumes most of the bottle himself. The hungry baby's cries arouse the neighbors to try and get into the apartment, but it is locked, and the four-year old can't (or, more likely, won't) let them in. Despite a number of near-disasters, the enterprising young boy manages things just well enough (with the occasional help of shouted advice from frantic neighbors) so that serious calamities are avoided.

The film which was shelved for many years focuses on men and women visiting the shrine of Imam Reza, the eighth Shiite Imam, in the city of Mashhad in the North East of Iran.

In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.

Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.

A study of an amoral and sleazy defense lawyer who suddenly tries to "go straight" when he finds out that his tart wife is cheating on him; as well as the similarities he has in life with one of his clients.

An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.

Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.

Thiago lives with his family on an isolated farm in the arid backlands of Minas Gerais, Brazil. As the story unfolds and Thiago is forced to confront separations and betrayal within the home, Thiago begins, little by little, to see and understand a place that he had never been able to before, thus slowly letting go of his innocence.

Khosrow and Morteza set out on a mission to kill someone. The assassination ought to be arranged as a suicide. At the last minute however, they are obliged to change their initial plans…

During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.