Machete Gillette... Mama (1989)

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

When the eternally optimistic Poppy, queen of the Trolls, learns that the Bergens no longer have any holidays on their calendar, she enlists the help of Branch and the rest of the gang on a delightfully quirky mission to fix something that the Bergens don't think is broken.

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

A kid begs to stay home while his older sister runs to the store. After she leaves, he wishes he would have gone because he doesn’t feel comfortable being at home in the dark as strange things start to happen...

It's been ten years since the dragons moved to the Hidden World, and even though Toothless doesn't live in New Berk anymore, Hiccup continues the holiday traditions he once shared with his best friend. But the Vikings of New Berk were beginning to forget about their friendship with dragons. Hiccup, Astrid, and Gobber know just what to do to keep the dragons in the villagers' hearts. And across the sea, the dragons have a plan of their own...

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

The film takes place one year after the events of Captain America: The First Avenger, in which Agent Carter, a member of the Strategic Scientific Reserve, is in search of the mysterious Zodiac.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Benny and Claire, a down-on-their-luck couple, find a discarded Chitauri weapon referred to as 'Item 47'.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

A trip to church with her family on Christmas Eve gives young Angela an extraordinary idea. A heartwarming tale based on a story by Frank McCourt.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.

MORTAL KOMBAT: REBIRTH is a short film released by Kevin Tancharoen (Director) in 2010. It was originally made as a proof of concept for Tancharoen's pitch to Warner Brothers for a reboot movie franchise. This 8-minute short features an intricate fight scene choreographed by Larnell Stovall. It also reintroduces classic Mortal Kombat characters, including: Jax (Michael Jai White), Sonya Blade (Jeri Ryan), Johnny Cage (Matt Mullins), Scorpion (Ian Anthony Dale), Baraka (Lateef Crowder) and Shang Tsung (James Lew).

Three kids unleash more than they bargained for from an ancient book of witches.

Christened for the Greek mythological personification of human memory, MNEMOSYNE, MOTHER OF MUSES is Larry Gottheim's facsimile edition of how one reflects on life and experiences (namely, in flashes and excerpts of sound and imagery). Typically known for his avant-garde, single-shot meditations on nature, Gottheim here provides a palindromic quotation of his own memories, including street corners, movie quotes, family members and Johnny Hartman tunes.

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.

This portrait of the filmmaker's apartment, painted in the color of the title, was made a few months before his departure from New York. It is dedicated to the filmmaker Stan Brakhage and was shot without a scenario and edited entirely in the camera.

Larry Gottheim’s Fog Line consists of a fixed shot of clearing fog in a valley in upstate New York where he lived and worked in the early seventies.

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

Like constellations wheeling round, a double chain of four image segments and four sound segments wheel past each other in sixteen combinations (a family of Gibbon apes, a landscape measured, a shadowed diagram after Paul Cézanne, a wintry urban scene, a text by William Wordsworth, a climactic scene from Claude Debussy's opera "Pelleas et Melisande").

Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.

Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg

Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?

Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner.

A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

A visual and sound montage about a fighting bull in the arena.

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

Inspired by the Cantat-Trintignant drama.

An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.

In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.

Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.