The Longest Night (2001)

Donya is a young, attractive single woman who has just returned to Tehran from abroad. She seeks the help of Hadji Reza Enayat, the conservative and stern owner of a real estate agency, to look for a house. We sense that she has an ulterior motive but that motive will not surface until the end of the movie. She puts on the charm and Hadji falls head over heels in love with her and proposes marriage despite being already married to a loving and pious wife. Awkward and funny situations develop as he tries to keep his affair secret from his family.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

Two old writers who one of them is returned to Iran after 38 years because of his son's suicide, are going on a trip to the grave of that son.

A woman searches for her husband on the streets of Tehran.

Amin is a young journalist who goes to jail because of something that he wrote, his friends want to free him, but they can't so they decided to make money by throwing parties at his sister's house, but everything gets worse.

A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.

Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.

Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.

Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.

A woman tries to mend the broken pieces of her last life, as she is now involved with a new sexual relationship with a man.

Akbar, 18, has been held in a rehabilitation centre for committing murder at the age of sixteen. Now, Akbar is transferred to prison to await the day of his execution. A’la, a friend of Akbar, tries desperately to gain the consent of Akbar’s plaintiff so as to stop the execution.

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.

This film focuses on contemporary 30- and 40-somethings trying to make sense of their lives in an age in which the old certainties have disappeared. Lorenzo and Davide make their lives together within a circle that includes Antonio and Angelica, married with children; Nerval and her policeman husband.

The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.

When Antonia's husband Massimo is killed in a car accident, she accidentally discovers that he has been having a same-sex affair with a produce wholesaler named Michele.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.