Atomic Wounds (2006)

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

A story about the effect of the atomic bombing of Hiroshima on a boy's life and the lives of the Japanese people.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

The documentary recounts the world's first nuclear attack and examines the alarming repercussions. Covering a three-week period from the Trinity test to the atomic bombing of Hiroshima, the program chronicles America's political gamble and the planning for the momentous event. Archival film, dramatizations, and special effects feature what occurred aboard the Enola Gay (the aircraft that dropped the bomb) and inside the exploding bomb.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

Brand new documentary marking the 70th anniversary of the Hiroshima and Nagasaki bombings which ended WWII and began the nuclear age. Features interviews with survivors from both sides.

As Japan gears up for the 1964 Olympic games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

The research, development, and deployment of the first atomic bomb, as well as the bombing of Hiroshima, are detailed in this docudrama.

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.

On August 6 1945, one plane dropped one bomb on the Japanese city of Hiroshima. In an instant, the city was destroyed and 80,000 people were dead. But the dropping of the Atomic bomb also launched the Nuclear age, shaping all of our lives and changing the world for ever. For this film we have tracked down people who made the bomb, people who dropped the bomb, and people who were in Hiroshima – some less than half a mile from ground zero -when the bomb fell on their city. Many of the witnesses are in their 90s and this will be the last time they will be able to tell their extraordinary stories. The Day They Dropped The Bomb is told through witness recollections, rare archive film and photographs shot at the time. The documentary will be broadcast for the 70th anniversary of Hiroshima next year by ITV and in America by the Smithsonian Channel.

Theodore "Dutch" Van Kirk navigated the first atomic bombing mission in Hiroshima, Japan, and later participated in the first Bikini Atoll atomic bomb tests.

The film shows the bombing of Hiroshima and the horrific aftermath following the detonation of an atomic bomb on humans for the first time in history.

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.

With the passing of Nakazawa Keiji in December 2012, Barefoot Gen’s Hiroshima now stands as the manga artist’s last message of peace to the world. Mr. Nakazawa recounts his life, from the aftermath of the atomic bombing up until the days he created his acclaimed manga series Barefoot Gen (Hadashi no Gen), by exploring sites of painful memories in Hiroshima. Through Mr. Nakazawa’s story, and his original art work, Barefoot Gen’s Hiroshima illuminates the nature of war and nuclear weapons, urging us not to repeat the past.

Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.