The Gold of Naples (1954)

Choreographer August Bournonville's stirring movements are brilliantly showcased in this Royal Danish Ballet version of one of his finest works, inspired by a visit to vibrant Naples, Italy. The fairy-tale story follows passionate young fisherman Gennaro (Arne Villumsen), who searches for his beloved Teresina (Linda Hindberg) when she disappears during a storm. Vivid set designs and bright costumes add to the production's exuberance.

In a small village of Naples three friends, Francis, Mimmo and Lello, manage to get a meeting with three beautiful Bulgarian girls known on the Internet, scheduled for Christmas. The wives alarmed try to stir the spirits of the three hot husbands, but the whole thing is just a trick of three Bulgarians with intent to deprive the people of their assets in the country and that the girls will not.

Most likely made for the large Neapolitan immigrant population in the States, Roberto Leone Roberti’s love poem to Naples more than captures the heartache of the countless émigrés who were forced by economic circumstances to leave their homeland.

An American lawyer's wife is reunited with her child and his father, an English nobleman.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.

After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples' cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation.

Three brothers pretend they're ghost hunters to inherit from their father.

A portrait of Naples and its inhabitants, in the words of the Neapolitans themselves. Two women gossip about a woman who committed suicide; a man sells tickets for a local tombola; a woman concerns herself about her elderly neighbour. By moving from person to person, the documentary gradually portrays this enigmatic city at the foot of the Vesuvius. James Baldwin once returned a writing assignment about Naples, because he utterly failed to grasp the city. A Neapolitan says: `Naples is a kaleidoscope of thousands of different souls. Their total defines the Soul of Naples.' The leitmotif is Caravaggio's painting Seven Works of Mercy (1607), made for an aristocratic charity that still exists. The documentary mirrors Caravaggio's clair-obscure in its patterns of poverty and wealth. Age-old alleys with subdued light contrast with the glittering chic of a genteel club. Slow aerial shots and poetic texts in voice-over interweave the separate stories.

Antonio, Peppino and Lucia are three brothers who live in the country near Naples. Lucia's son, Gianni, goes to Naples to study medicine, but there he knows a ballet dancer. They fall in love and, when she goes to Milan, Gianni follows her. Informed of this and afraid that their nephew will stop studying, the three Caponi brothers leave for Milan to persuade Gianni to come back and continue studying and abandon the "Malafemmina" (bad girl).

Antonio and Peppino live in a small town in central Italy: Peppino is the barber, Totò is maintained by the rich but avaricious wife Teresa.

When Domenico first meets Filomena in Naples during World War II, he is instantly smitten. Flash forward to the postwar years, and the two meet again, sparking a passionate affair that spans two decades. But when Filomena — who has now become Domenico's kept woman and has secretly borne his children — learns that her lover is planning to wed another, she will stop at nothing to hook him into marrying her instead.

When a veteran marshal is sent to a small town, he quickly falls for two women: a midwife and an earthy young woman nicknamed "Frisky".

A pair of Americans want to perform the greatest robbery: the treasure of San Genaro, in Napoli.

Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.

Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.