Rosa (2019)

Giovanni Vivaldi is an average middle-aged man with a secure job as a government accountant. He wishes nothing more than to set up his only son Mario, his biggest pride in the world, with the same secure government job before he eventually retires. For this, Giovanni will stop at nothing...

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.