Journeys to the Edge of Consciousness (2019)

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Philosopher, pop-icon, shaman and story teller - as one of the most influential comic book writers in the market today, Grant Morrison is all of these things. His explosive and often controversial 30 year career has made him a household name for comic fans, and he shows no signs of slowing down. Morrison's career is now taking a new turn, as he explores media beyond comic books. With film and television projects on the horizon, more and more people are asking "Who is Grant Morrison?" Grant Morrison: Talking with Gods is a feature length documentary that takes an in depth look at the life, career and mind of the man behind such pivotal titles as Batman RIP, The Invisibles, All Star Superman, The New X-Men, and many more. Featuring candid interviews with Morrison and his most important collaborators, Talking with Gods reveals an intelligent and thought provoking side of comic books that is often overlooked in Hollywood adaptations.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

After inheriting a run-down castle, a dispirited woman and her ill-tempered husband decide to spend the night, as time and reality shift around them.

A visual and musical game which builds and destroys itself according to the vivacious rhythm of Serge Prokofiev’s Scherzo to Piano Concerto No. 2.

A frog is driving his alligator-shaped car when he is stopped by a shapely she-frog who steps into the road. She tells him that her house is haunted, so he goes along to assist.

“’Psych-Burn’ was what musicians call a ‘contract-breaker’. ABC had given us some coin to make a few short films for a TV Pilot. “Love-In Tonite” was to be a psychedelic rock variety show with live performances, skits, and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if “Midnight Special” was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than “Love-In Tonite”. So I decided to deliver the suits a farewell kick-in-the-butt called ‘Psych-Burn’. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one.” —JXW

Roger Glover puts on a star-studded concert at the Royal Albert Hall for his concept album "The Butterfly Ball and the Grasshopper's Feast".

Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone--and anything--can be bought.

The film is divided into fifteen chapters. Each chapter has a topic of its own and develops a unique visual style. All parts are connected by a certain theme: the conjunctive concept of the film is the idea of universal transformation and movement, which is represented in the animals. The artists follow the surrealist credo that everything is linked with everything else in a hidden way. The only way to uncover these links is art. With its irresistible synthetic dynamics, the film reveals these secret connections.

A psychedelic horror-comedy starring Last Podcast On The Left’s Henry Zebrowski and Bay Area legend Skinner, and featuring special effects from Shane Morton, the mastermind behind Mandy’s Cheddar Goblin.

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

Conditions have been better for the nameless protagonist: his grandmother is a shoplifter and his war criminal father and sister have an unhealthy, intimate relationship with the family rabbit.

The year is 2157. An alien organization with ultra-high technology, 'Eed', invades the Earth. As the Earth fa ces extinction, Elka, a descendant of the lost continent Atlantis, looks with the help of a super power computer Delta 8988, for the last hero who may be able to save the world. It turns out to be Oh Haesung who lives in the 20th century. Marie, a special agent sent from Elka, comes to the year 1996 with the important mission of fetching Haesung. However, Eed also finds out about Haesung and sends an assassin.

3D animated short of computer made visuals.

One of Otto Messmer's most unusual Felix cartoons. It portrays Felix as an inebriated feline being chased by all kinds of demons only to be welcomed by the greatest demon of all, the angry wife.

A short experimental animation by Keiichi Tanaami.

A star-driven spiraling machine of hallucinatory wonder!