Journeys to the Edge of Consciousness (2019)

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Philosopher, pop-icon, shaman and story teller - as one of the most influential comic book writers in the market today, Grant Morrison is all of these things. His explosive and often controversial 30 year career has made him a household name for comic fans, and he shows no signs of slowing down. Morrison's career is now taking a new turn, as he explores media beyond comic books. With film and television projects on the horizon, more and more people are asking "Who is Grant Morrison?" Grant Morrison: Talking with Gods is a feature length documentary that takes an in depth look at the life, career and mind of the man behind such pivotal titles as Batman RIP, The Invisibles, All Star Superman, The New X-Men, and many more. Featuring candid interviews with Morrison and his most important collaborators, Talking with Gods reveals an intelligent and thought provoking side of comic books that is often overlooked in Hollywood adaptations.

마약 밀매상 오스카는 스트리퍼인 동생 린다와 함께 도쿄에 도착한다. 경찰의 단속에서 총에 맞은 오스카는 린다에게 했던, 그녀를 결코 떠나지 않겠다는 약속을 떠올리고, 그의 영혼은 도시에 붙박여 과거와 현재, 미래를 넘나든다. (2010년 14회 부천국제판타스틱영화제)

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

After inheriting a run-down castle, a dispirited woman and her ill-tempered husband decide to spend the night, as time and reality shift around them.

A visual and musical game which builds and destroys itself according to the vivacious rhythm of Serge Prokofiev’s Scherzo to Piano Concerto No. 2.

A frog is driving his alligator-shaped car when he is stopped by a shapely she-frog who steps into the road. She tells him that her house is haunted, so he goes along to assist.

“’Psych-Burn’ was what musicians call a ‘contract-breaker’. ABC had given us some coin to make a few short films for a TV Pilot. “Love-In Tonite” was to be a psychedelic rock variety show with live performances, skits, and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if “Midnight Special” was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than “Love-In Tonite”. So I decided to deliver the suits a farewell kick-in-the-butt called ‘Psych-Burn’. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one.” —JXW

Roger Glover puts on a star-studded concert at the Royal Albert Hall for his concept album "The Butterfly Ball and the Grasshopper's Feast".

Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone--and anything--can be bought.

The film is divided into fifteen chapters. Each chapter has a topic of its own and develops a unique visual style. All parts are connected by a certain theme: the conjunctive concept of the film is the idea of universal transformation and movement, which is represented in the animals. The artists follow the surrealist credo that everything is linked with everything else in a hidden way. The only way to uncover these links is art. With its irresistible synthetic dynamics, the film reveals these secret connections.

A psychedelic horror-comedy starring Last Podcast On The Left’s Henry Zebrowski and Bay Area legend Skinner, and featuring special effects from Shane Morton, the mastermind behind Mandy’s Cheddar Goblin.

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

마사루는 날아다니는 몽상에 잠기는 것이 취미다. 그를 제외한 그의 다른 가족 구성원들은 사회적으로나 경제적으로 자신이 처한 운명에 순종하며 살아간다. 반면 새로움을 꿈꾸는 마사루는 자신이 처한 상황에서 벗어나기 위해 안간힘을 쓴다. 하지만 대신 그가 얻는 것은 자신의 삶과 세계에 대한 크나큰 환멸뿐이다.

은하계에서 600만 광년 떨어진 안드로메다에는 인간을 뛰어넘는 고도의 문명이 발달되어 있었다. 문명의 발달은 그들의 삶을 파멸로 이끌고 새로운 돌파구를 위해 또 다른 우주 생명체를 찾을 계획을 세운다. 그러나 그들이 찾던 문명은 없었다. 그래서 그들은 문명을 직접 창조하기로 결심한다. 9999개의 초자아 컴퓨터가 우주에 뿌려지고 먼 훗날 지구에는 8988이라는 컴퓨터가 투하된다. 서기 2157년의 과학력을 자랑하는 외계조직 이드가 지구로 침략해오자 지구가 멸망할 위기에 처한다. 바다 밑에 숨어 있던 아틸란티스의 후예 엘카는 델타8988의 도움으로 지구를 구할 인물을 찾아낸다. 그는 1996년의 오혜성으로 엘카의 특수요원 마리는 혜성을 미래로 보내려다 목숨을 잃고 오혜성은 홀로 미래로 간다. 오혜성은 엘카의 여왕인 헤라와 하데스에게서 특수한 전투훈련을 받게 되고 이드 사령관 케사로스는 지구인을 섬멸하는 이 전쟁에 의문을 품고 이드의 초자아 컴퓨터로 향한다. 엘카와 이드의 전쟁은 점점 초자아 컴퓨터들에 의해 주도되고 케사로스와 혜성은 초자아 컴퓨터들의 대리인으로서 전투를 한다.

3D animated short of computer made visuals.

One of Otto Messmer's most unusual Felix cartoons. It portrays Felix as an inebriated feline being chased by all kinds of demons only to be welcomed by the greatest demon of all, the angry wife.

A short experimental animation by Keiichi Tanaami.

A star-driven spiraling machine of hallucinatory wonder!