Homeland Gone (2020)

Josie Alibrandi has a lot to deal with right now. She’s 17, got the dreaded H.S.C. in front of her, and the boy of her dreams seems completely out of reach. Then there’s that other problem. She’s a wog. Sure, it’s where Josie comes from, but it’s not where she feels she belongs. In fact, Josie doesn’t know where she belongs. With her Nonna in one ear talking about the old country and the stuck-up girls at her school telling her she’s an outsider, it’s no wonder. This year, however, everything is going to change. Josie will let loose, face her fears, uncover secrets - even discover the true identity of her father. It’s going to be a year when Josie finally finds out where she belongs.

After receiving an unexpected visit from his mysteriously injured brother Mark, Alex decides to take his family back to the country home of his childhood, but once there, Alex's wife Vera confesses that she is pregnant again and that the child is not his. Agony ensues as Alex attempts to figure out how best to react.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

The US President and the UK Prime Minister are planning on launching a war in the Middle East, but—behind the scenes—government officials and advisers are either promoting the war or are trying to prevent it.

The story is set in the latter days of World War 2, against the backdrop of fierce combat on the eastern front. Brother's War is based on real events.

When hedonistic but charming con man Elmer Gantry meets the beautiful Sister Sharon Falconer, a roadside revivalist, he feigns piousness to join her act as a passionate preacher. The two make a successful onstage pair, and their chemistry extends to romance. Both the show and their relationship are threatened, however, when one of Gantry's ex-lovers decides that she has a score to settle with the charismatic performer.

A Life Apart: Hasidism in America, is the first in-depth documentary about a distinctive, traditional Eastern European religious community. In an historic migration after World War II, Hasidism found it's most vital center in America. Both challenging and embracing American values, Hasidim seek those things which many Americans find most precious: family, community, and a close relationship to God. Integrating critical and analytical scholarship with a portrait of the daily life, beliefs, and history of contemporary Hasidic Jews in New York City, the film focuses on the conflicts, burdens, and rewards of the Hasidic way of life.

A man confronts the trauma of past sexual abuse as a boy by a Catholic priest only to find his decision shatters his relationships with his family, community and faith.

An idyllic island town is under attack by that most invasive of pests: zombies! Port Gamble is being overrun with braineaters, and the people seem powerless to stave them off. But wait, a rag tag band of rebels is trying to turn the tide and push the invading hordes of undead back.

Mythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.

This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.

Few comedians can stir up controversy like the legendary Paul Mooney -- writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!

Documentary examining the medieval myth of the Philosopher's Stone, a Holy Grail-type relic which supposedly held the key to alchemy and immortality. Many noted alchemists and adventurers searched obsessively for the artifact hoping to learn its powerful secrets, a quest which allegedly drove some to madness and others to celestial encounters.

In pre-French Revolution Bastille, the Marquis is held being unjustly accused of working to overthrow the king. While his talking penis, Colin, longs for action, Marquis himself only desires to write his deviant stories in peace.

André Demester secretly and painfully loves Barbe, his childhood friend, accepting from her the little that she gives him. He leaves home to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn him into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for the soldiers to return. Will Demester’s boundless love for Barbe save him?

About the life and work of controversial American Jewish academic Norman Finkelstein.

Fact-based war drama about an American battalion of over 500 men which gets trapped behind enemy lines in the Argonne Forest in October 1918 France during the closing weeks of World War I.

One of Hicks's most famous quotes was delivered during a gig in Chicago - known s the "Infamous Bill Looses it in Chicago" show - in 1989 (later released as the bootleg I'm Sorry, Folks). After a heckler repeatedly shouted "Free Bird", Hicks screamed that "Hitler had the right idea, he was just an underachiever!" Hicks followed this remark with a misanthropic tirade calling for unbiased genocide against the whole of humanity.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism".

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.