The Brave Bulls (1951)
Genre : Drama, Romance
Runtime : 1H 47M
Director : Robert Rossen
Synopsis
A matador must recover his courage after being gored in the ring.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.
Two men share an odd friendship while they care for two women who are both in deep comas.
Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
A black and white silent movie, based on the Snow White fairy tale, that is set in a romantic version of 1920s Seville and centered on a female bullfighter.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
The wolf, the champion toreador, and Droopy, the challenger, are competing to see who is best in the bullring in the hopes of winning the hand of actress Lina Romay (who appears in a live action shot).
Bumbling detective Stan Laurel disguises himself as a famous matador in order to hide from the vengeful Richard K. Muldoon, who spent time in prison on Stan's bogus testimony.
Miguel, a poor young man living in Franco's Spain becomes a bull fighter to escape starvation.
An American takes up bullfighting to impress the ladies but learns to respect the sport.
A matador must recover his courage after being gored in the ring.
Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan first manages to spend an evening with Olimpia, a "shrewd merciless beauty" who seems effortlessly to collect apartments and Maserati sports cars while leaving a trail of broken hearts behind her. Juan approaches the challenge by pretending to her he is an emissary for a rich count. Written by Jeremy Perkins
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.
A teacher whose true vocation is that of a bullfighter and, since bullfights are frowned upon in Catalonia, he is having a hard time working on what he likes. The crisis will force him to work in a theater performing a pornographic act to replace his partner's partner, whose social security problems have forced him to leave his job.
A young woman drifts into a life of prostitution after being sexually assaulted by her father. On a trip to Acapulco, she falls in love with a handsome bullfighter.
Brilliantino the Bullfighter (originally titled Flood and Sand) is one of the first spoofs of Blood and Sand, Paramount’s smoldering matador melodrama that set box offices ablaze. Like Mud and Sand, starring Stan Laurel, the Banks parody was rushed into theaters in November 1922, while memory of the Valentino vehicle was fresh. The concept of Monty Banks impersonating the passionate matador must have been innately hilarious to audiences who had seen the original picture.
Benitez pretends to be a toreador and his friends decide to pull a prank on him.
When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.