Teens Love Huge Cocks 40 (2021)

After a series of brutal slayings, a teen and her friends take on an evil force that's plagued their notorious town for centuries.

As a CODA (Child of Deaf Adults), Ruby is the only hearing person in her deaf family. When the family's fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

Teenagers’ leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. As they use violence for entertainment and to fulfill their authoritarian fantasies, their adventures will show the cracks and the collapse of the perfect world they live in.

A young boy from the south of France falls madly in love with a posh Parisian girl and follows her for crazy adventures to the big city.

Two teen girls and two teen boys play a game of truth or dare. The questions and the challenges deal with sex; it's innocent and harmless, but at each turn, each youth tries to raise the ante. Then, Paul gives a dare to Rose, and the result brings on a sudden and complete silence.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.

Summer time. Two teenagers, a boy and a girl, have their first date in a park. Hesitant and shy at first, they soon discover each other, get closer as they wander, and end up falling in love. But as the sun goes down, it is time to separate... And a dark night begins.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

Three teenagers with missing parents cross their lives by the river Tormes in Salamanca. One of them lives in a boarding school, another has just lost his father, and one lives badly in a tent by the river. No adults in their lives, without direction, they are becoming adults but still do not own their life.

Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.

When Ella was twelve, she had her first fight. And when she was twelve, she discovered sex. Now eighteen, Ella reflects on how her obsession with her older brother Michael's best friend Moses left her with a secret she still carries.

A group of teenagers play a friendly game of Kick the Can. Two of them hide together: one has an idea, the other has a secret.

A couple of teenage boys decide to send a "dick pic" from the locker room. When the anonymously sent image is discovered, the culprits of the naughty image must choose to either hang out or stand together.