Teens Love Huge Cocks 40 (2021)

연이어 잔혹한 살인 사건이 발생한 작은 마을. 공포와 추측이 난무하는 가운데 마녀의 복수라는 설이 나돈다. 악의 실체를 캐내려는 10대들. 수 세기에 걸친 어둠의 심연을 감당할 수 있을까.

함께 시간을 보내며 소리를 들을 수 없는 가족을 세상과 연결하는 코다 루비는 짝사랑하는 마일스를 따라간 합창단에서 노래하는 기쁨과 숨겨진 재능을 알게 된다. 합창단 선생님의 도움으로 마일스와의 듀엣 콘서트와 버클리 음대 오디션의 기회까지 얻지만 자신 없이는 어려움을 겪게 될 가족과 노래를 향한 꿈 사이에서 루비는 망설이는데…

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

Teenagers’ leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. As they use violence for entertainment and to fulfill their authoritarian fantasies, their adventures will show the cracks and the collapse of the perfect world they live in.

A young boy from the south of France falls madly in love with a posh Parisian girl and follows her for crazy adventures to the big city.

우리나라의 '진실게임' 같은 놀이를 즐기는 네 명의 소년 소녀들을 보여주면서 어린 학생들의 성과 육체의 발견을 흥미롭게 탐험하고 있다. 하지만 이들이 하는 놀이의 내용이란 고작해야 '너 키스 해봤니?' 정도의 질문을 해대는 청소년들에 비교한다면 위험수위에 가깝다 할 수 있다.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.

소년소녀의 첫 데이트 장소는 공원이다. 처음에는 서툴고 어색하나 금세 가까워진 둘은 사랑에 빠진다. 해가 지고 헤어질 시간이 다가온다.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

Three teenagers with missing parents cross their lives by the river Tormes in Salamanca. One of them lives in a boarding school, another has just lost his father, and one lives badly in a tent by the river. No adults in their lives, without direction, they are becoming adults but still do not own their life.

Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.

모세스는 전학생이자 학교 킹카로 모든 학생들의 로망 대상이다. 그런 모세스가 매일 엘라 집에 놀러 온다. 엘라 오빠 마이클과 놀기 위해서다. 12살 엘라의 취미는 모세스와 마이클을 훔쳐보는 것이다. (2017년 제7회 서울프라이드영화제)

A group of teenagers play a friendly game of Kick the Can. Two of them hide together: one has an idea, the other has a secret.

A couple of teenage boys decide to send a "dick pic" from the locker room. When the anonymously sent image is discovered, the culprits of the naughty image must choose to either hang out or stand together.