Under False Colors (1917)

This animated adventure spins a more optimistic twist on the long-mythicized story of the "lost daughter" of Russia's last czar. A wicked sorcerer places a curse on the Romanov family, and Anastasia is separated from them during their attempts to escape from a rowdy revolt seizing their palace. Years later, after growing up with amnesia in an orphanage, "Anya" encounters two Russian men seeking a reward offered by the Dowager Empress Marie, for the return of her missing granddaughter. They decide to travel together to visit the Empress in Paris. Will Anya finally be reunited with her remaining family and find a loving home at last?

March/April 1917. The first world war is already a couple year to pace. A sealed train with Russian emigrants keeps on driving from Zürich Germany and Sweden to Sint-Petersburg. The outlaws stand under the guidance of Vladimir J. Lenin. Two senior officers support the revolutionary bomb "to ensure that everything runs smoothly. Yet there are some unpleasant clashes between Socialists and enthusiastic workers who are worried about the war. During train travel there comes an end to Lenin's affair with the gracious Inessa, and his wife Nadja is prepared take back him. The triumphant entrance in St. Petersburg will exceed all expectations....

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

The last days of World War I, Eastern front. Captain Conan, a lone wolf, a true warrior, leads a band of ruthless French fighters who love hand-to-hand combat; they are not fit for peacetime, they only feel really alive in the chaos of the battlefield.

Zurich, 1905. 19-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.

Old Prof. Preobrazhensky and his young colleague Dr. Bormental inserted the human's hypophysis into a dog's brain. A couple of weeks later, the dog became "human looking". The main question is "Is anybody who is looking like a man, A REAL MAN?"

Tsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

Notorious thief Lupin the Third aims to steal the lost treasure of the Romanov royal family with his criminal associates along for the ride. The treasure is an immense quantity of gold hidden underground in the vaults of a mysterious Texas bank. But to obtain the gold, Lupin and his friends will have to face down both the Mafia and Rasputon, the telepathic descendant of the mad monk Rasputin. Lupin again eludes inspector Zenigata with the help of a mysterious blonde named Judy Scott, as Rasputon manipulates the world's leaders to put every obstacle in Lupin's path.

A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.

A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.

Dziga Vertov-directed Soviet newsreel covering: The opening of an electric generating station / Trial of the Socialist Revolutionaries.

Story of Anna Anderson, who claimed to be Anastasia Romanov, the only surviving daughter of the Czar and Czarina of Russia.

A documentary film account of the Russian Revolution, based on archival footage.

A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...

Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death

Dziga Vertov-directed Soviet newsreel covering: A peasant buys a receiver at the radio shop / Instructions to attach an antenna / A broadcast-station is developed / A concert is broadcast. Though only a third of this final issue of Kino-Pravda seems to survive, there still exists Aleksandr Bushkin’s time-lapse animation and the sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.