Hassan Taxi (1982)
Genre : Comedy
Runtime : 0M
Director : Mohamed Slimane Riad
Synopsis
French drama based on the 1996 kidnapping and killing of seven monks in Algeria. A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.
A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.
The star-crossed desert romance of a cloistered woman and a renegade monk.
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...
Candlelight in Algeria is a 1944 British war film directed by George King and starring James Mason, Carla Lehmann and Raymond Lovell. This drama follows the exploits of Eisenhower's top aide, Mark Clark, and other important Allies as they journey to an important meeting held on Algeria's coast. The precise location of this vital secret gathering is upon a piece of film which must not fall into enemy hands
Newly-arrived Ahmed tries to integrate his family to the canadian society, while attempting to control his son's life orientation.
In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.
Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.
Mounir Mekbek lives with his family in a small village in the heart of the Algerian countryside. Very proud and sure of himself, he has only one dream- to finally be appreciated by his fellow villagers. Screwing up his carefully maintained image is his headstrong, narcoleptic sister Rym who falls asleep anywhere and whom the village is convinced will end up a spinster. One evening, Mounir returns from town drunk and announces that he's found a suitor for his sister. The fake story snowballs and snowballs until the suitor morphs into a rich, blonde Australian. The village begins preparing for the wedding in earnest - but without a bridegroom in sight.
Algeria's entry for a Best Foreign Language Film Oscar, "Zabana" chronicles the life of Ahmed Zabana, a man who fought for Algerian freedom in the Battle of Algiers. This film chronicles Zabana's fight to free his country to independence, and his death at the hands of French authorities.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
The beginings of the Algerian Revolution as seen through the eyes of a peasant.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
A family or Algerian origin comes back to Algeria after having lived in France for a long time. The children, born in France, have a hard time adapting to Algerian society, and the contrast between traditionalist mentalities and youth wanting to have fun clash, reaching havoc in the village.
Directed by Moussa Haddad.
Makhlouf Bombardier, unusual, decides to be elected mayor of a dechra (village). So he surrounds himself with trusted partners to organize a great campaign for his election. Bombardier became the mayor of the village and is organizing an international film festival to compete at the Carthage festival. In his action, he is pursued by the Court of Auditors for embezzlement. So, his ultimate goal is to become the president.
A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.
A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.