Chernobyl: The Lost Tapes (2022)

Filmmaker Lech Kowalski explores his belief that struggle is "the epitome of living" in this documentary which compares the wildly different life experiences of himself and his mother. Kowalski's mother came of age in Poland during the early stages of World War II, and after failed attempts to outrun both Nazi and Russian forces she and her family were sent to a Soviet concentration camp, where inmates were tortured, mistreated, and starved to the point where some ate their own lice in a desperate struggle to survive. Kowalski also depicts his own self-inflicted season in hell during his years on the New York City punk rock scene as he wallowed in the sordid underbelly of drug addiction, pornography, prostitution, and streetwise decadence. On both stories, Kowalski finds a message of hope and strength in the midst of almost certain peril.

When the space shuttle Challenger blew up in 1986, it was the most shocking event in the history of American spaceflight. The deaths of seven astronauts, including the first teacher in space Christa McAuliffe, were watched live on television by millions of viewers. But what was more shocking was that the cause of the disaster might never be uncovered. The Challenger is the story of how Richard Feynman, one of America's most famous scientists, helped to discover the cause of a tragedy that stunned America.

A retrospective analysis of the causes and consequences of the catastrophic accident at the Chernobyl nuclear power plant in Ukraine on April 26, 1986.

Blowing Up Paradise uses color archival footage to chronicle France's explosion of various nuclear devices, in violation of the international test ban treaty, from the first test in 1966 to the last in 1995. Interviews with former and current French government officials, scientists, and nuclear advisors.

Footage shot not long after the 1906 earthquake in San Francisco is edited together so that more than one scene and more than one vantage are included. We see fire raging. We see burned-out buildings, piles of rubble, and buildings with only one wall standing. People stand and watch; others walk purposely through the debris. A carriage passes; the camera pans the desolation. A horse-drawn cart is laden with a family's remaining possessions. A sign hangs outside one building: "A little disfigured but still in business. Men Wanted."

The story of Stuart Diver, the only person to survive the 1997 Thredbo tragedy that came about when a landslide engulfed a ski lodge situated in Australia's Snowy Mountains.

From the same studio that produced Richard Viktorov's diptych Moscow-Cassiopeia / Adolescents in the Universe comes this second teen-themed sci-fi adventure, in which three youngsters have to take command of a space flight when their adult captain comes down sick and is forced to quarantine himself.

In the near future, when communications go offline at a remote nuclear power plant isolated in the desert, a young safety inspector, Abby Dixon, is forced to fly out to bring them back online. Once inside the facility, mysterious clues and strange behaviors cause Abby to have doubts about the sanity, and perhaps identities, of the two employees onsite.

A young unemployed man finds work at a nuclear power plant and begins an illicit affair with the fiancée of one of his senior workmates.

After a landslide in the Axenstrasse, geologist Mara Graf and her boyfriend, seismologist Gian Wyss, are investigating for the Seismological Service of the University of Technology in Switzerland. For Gian this is a good opportunity to spend some weeks of Spring at home. For Mara to be with her grandmother and sister. The next day Mara Gian want to anchor indicators at the bottom of Lake Lucerne in a dive. They decide to dive alone. Before Mara could follow him, an explosion rocked their ship.

In End of the World, the fate of humanity lies in the hands of two guys who run a video rental store and are “sci-fi obsessed” movie fans. And who better to save the world, than guys who have seen all the movies and all the “out there” ways to save it!?

The cockpit of a Boeing 747 is struck by lightning during takeoff for a flight to Europe, fatally injuring the flight crew. Laurie, the senior flight attendant, enlists the aid of passenger Brett Young. They determine that the autopilot can bring the plane in for a landing, but soon learn that the autopilot is locking onto the transponders of airfields at random, including signals from small airports with runways too short to accommodate the jumbo jet. Meanwhile, federal officials on the ground who have lost radio contact with the jet debate whether the plane should be shot down to prevent a more disastrous crash in a heavily populated area.

A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)

This shows the heart of one of the tremendous drifts in the east end of Galveston. Hundreds of dead bodies are concealed in these immense masses, and at the time the picture was taken the odor given out could be detected for miles. The subject shows a gang of laborers clearing away the debris in the search for corpses, one of which was discovered while the picture was being taken. (Edison film catalog)

The airship Hindenburg, arriving from Europe, was being led to its mooring at Lakehurst, New Jersey when suddenly disaster struck. The hydrogen-filled zeppelin ignited, and was almost instantly transformed into an enormous fireball. In less than a minute, the entire ship had been consumed by flames. The Hindenburg explosion marked the end of the budding airship travel industry.

While Tropical Storm Allison brings one of the worst floods to hit Houston rages outside, the staff of Hermann hospital races against time to ensure hundreds of patients are evacuated safely.

Apocalyptic 1980 ECO MONDO narrated by the master of creepy camp VINCENT PRICE featuring some spectacular (disaster) and occasionally graphic footage.

German apparently disavowed this, his first film, because of his co-director Grigori Aranov's more classical approach (and his kowtowing to Soviet authority); too bad, because it's something of a knockout. A brilliant, gripping portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a superlative character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up, like Rossellini's inmate seeking readmission to prison in Dovè la liberta?, back where he started.

This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.