I Want Him Dead (1968)

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

A policeman must infiltrate the criminal underworld to investigate the theft of some paintings. The first clue leads him to a Latin American country, where a military prepares for a coup.

Don Jose disguises himself as Zorro, the masked freedom fighter, who tries to protect his people from the wrath of an evil military officer who is using his position to his own advantage.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

A man has his tongue cut out by bad guys, later tracks them all down, and kills them one by one.

Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.

James, a shy, but passionate captain with a love for his tennis team, The Racket Slingers, must compete in one final match to win the ultimate prize of U.S. Open tickets. However, The Racket Slingers must defeat the infamous and intimidating Court Queens, a group of elite and skilled teenage girls.

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

Short film where Espagueti Kid follows the track of the villain Fideo Jack in order to avenge his pasta family.

A rodeo rider is killed because Cotter is too drunk to distract the raging bull.

In the thickness of the mountains, in an isolated community led by a preacher known as El Señor, a presumed new Messiah is brought, unleashing a wave of violence and pain.

An upright priest, disliked the corrupt upper echelons of V.A.T.I.C.A.N.O., is imprisoned, tortured and sentenced to certain death. But by divine intercession he'd be able to save himself: once put back on track, and trained in the martial arts by an eccentric monk, he will take revenge in a crescendo of disproportionate violence.

The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.

A coffin-dragging gunslinger and a half-breed prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.

A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.