Anniken Hoel

Movies

Du må våkne
Director of Photography
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Du må våkne
Editor
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Du må våkne
Director
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Du må våkne
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Cause of Death: Unknown
Herself
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Cause of Death: Unknown
Director of Photography
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Cause of Death: Unknown
Writer
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Cause of Death: Unknown
Director
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Snapshots From a Vacation or a Film Titled a Fine Balance
Director
A reflexive essay film shot on a beach in Goa, SNAPSHOTS is a work of political and social commentary that deconstructs the very nature of the documentary film genre. Through stylized tableaux that portray locals and tourists, it observes the relationship between the West and the East while examining the dynamic that exists between the filmmaker, the camera, the subjects being filmed and the spectator.