Director of Photography
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Editor
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Director
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
"Du må våkne" (You must wake up) is the only dialogue line in the feature film STELLA POLARIS, by the Norwegian director Knut Erik Jensen. An experimental portrait of the director in the reflections in the windows of a train.
Herself
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Director of Photography
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Writer
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Director
After her sister died suddenly and unexpectedly while being treated with prescription antipsychotics, director Anniken Hoel begins a global investigation into the crimes of the pharmaceutical industry.
Director
A reflexive essay film shot on a beach in Goa, SNAPSHOTS is a work of political and social commentary that deconstructs the very nature of the documentary film genre. Through stylized tableaux that portray locals and tourists, it observes the relationship between the West and the East while examining the dynamic that exists between the filmmaker, the camera, the subjects being filmed and the spectator.
