Nunzio Malasomma

Unjustly accused of the murder of three women, the members of two rival gangs are joined to survive to the hunting that the whole town is making. Running away, they reach an abandoned fort in which the attempt to fend off attacks from the group that pursues them.

A rich man's daughter (Rhonda Fleming) sides with a Christian rebel during the fall of the Roman Empire.

A mysterious woman dressed in black slaps a man who is about to get married.

A mysterious woman dressed in black slaps a man who is about to get married.

Grace Peterson works in department stores "Tutto per Tutti", along with many other young people. His employment contract entitling them to live in a boarding house built specifically for them by the company but on the other hand, forbid them not fall in love or marry under threat of dismissal. Still, Grace falls for Phil Golder, a violinist penniless. The director of the residence will notice and the best friend of the girl impersonate violinist girlfriend to try to save Grace dismissal.

Grace Peterson works in department stores "Tutto per Tutti", along with many other young people. His employment contract entitling them to live in a boarding house built specifically for them by the company but on the other hand, forbid them not fall in love or marry under threat of dismissal. Still, Grace falls for Phil Golder, a violinist penniless. The director of the residence will notice and the best friend of the girl impersonate violinist girlfriend to try to save Grace dismissal.

The stand-alone opera singer Carmen Casini dare not admit to her adult son, the spoiled race car driver Cecil, that she ruined her voice on a stormy day at the racetrack and that her career is thus at an end. Meanwhile, Cecil has fallen in love with the pretty Colette … without suspecting that her father, the wealthy Bartell, was a former lover of his mother and that he’s Cecil’s daddy. Thus, both Carmen and Bartell try to prevent the unfolding love-relationship between brother and sister, because this ain’t the Ozarks, you know! Only after the unhappy Cecil tries to commit suicide after an argument with his mother do Carmen and Bartell realize they still love one another. Suicide attempt be damned; let’s go out on a date! A movie that screams “Fun for the whole family.”

After an argument with her husband, an unsatisfied wife suffers from selective amnesia. She doesn't recognize the man she married and calls her doctor husband instead.

The monotonous life of a bourgeois family is disturbed by the announcement of the imminent return from America of Mr. Lohengrin, who had left Italy years earlier, leaving behind the reputation of being an irresistible womanizer. Lohengrin's cousin, worried about the stability of his marriage, convinces some relatives who live in the countryside to welcome the dreaded guest into their home and then, to avoid meeting him, leaves. Meanwhile, in the country house everyone eagerly awaits Lohengrin, and envy and spite are unleashed during the wait. In particular, while the young landlady prepares the house, the woman's husband begins to be tormented by jealousy. But the arrival of the long-awaited guest will be a huge disappointment for everyone: the once seductive man is now just an aged, with glasses and a prominent belly.

The monotonous life of a bourgeois family is disturbed by the announcement of the imminent return from America of Mr. Lohengrin, who had left Italy years earlier, leaving behind the reputation of being an irresistible womanizer. Lohengrin's cousin, worried about the stability of his marriage, convinces some relatives who live in the countryside to welcome the dreaded guest into their home and then, to avoid meeting him, leaves. Meanwhile, in the country house everyone eagerly awaits Lohengrin, and envy and spite are unleashed during the wait. In particular, while the young landlady prepares the house, the woman's husband begins to be tormented by jealousy. But the arrival of the long-awaited guest will be a huge disappointment for everyone: the once seductive man is now just an aged, with glasses and a prominent belly.

Drama set in the nineteenth century in Sorrento in southern Italy. It is an adaptation of the 1852 novel of the same title by Francesco Mastriani. A young woman named Beatrice loses her sight after witnessing the death of her mother. Unable to see Beatrice is unable to identify her mothers’ killer. The police arrest a man who they believe is the murderer. Did they get the right man or is the killer still lurking in the shadows? Years later a family friend introduces Beatrice to a renowned Doctor who specializes in restoring sight. Will Beatrice regain her sight and identify her mothers’ killer or will someone make sure that she never sees again?

Two different couples on blind dates get mixed up when they pick the same location to meet.

Italian-language version of the Germany-made DER TEUFELSBRUDER (FRA DIAVOLO), with different supporting cast and some scenes. Based on the Auber opera, but with generally original music by Dr. Giuseppe Becce.

A Tyrolean mountain guide comes under suspicion of killing a tourist.

Peter Helling, the only survivor of a polar expedition, returns once more to the eternal ice. Why he calls his fate out again, what has happened? At that time he had set out with his best friend Svensson, to search for the missing friend of the woman they both love and for which they fought. In desperation, the men drag through the deep snow and the icy Arctic storms.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.