Fifteen Scaffolds for the Killer (1967)
Genre : Western
Runtime : 1H 25M
Director : Nunzio Malasomma
Writer : Mario Di Nardo, José Luis Bayonas
Synopsis
Unjustly accused of the murder of three women, the members of two rival gangs are joined to survive to the hunting that the whole town is making. Running away, they reach an abandoned fort in which the attempt to fend off attacks from the group that pursues them.
Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.
On 28 December 1999, the citizens of New York City are getting ready for the turn of the millennium. However, Satan decides to crash the party by coming to the city and searching for his chosen bride — a 20-year-old woman named Christine York. The world will end, and the only hope lies within an atheist named Jericho Cane.
A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.
Gorgeous IRA operative Marie flees the British authorities and finds herself somewhere in the American continent, where she meets a stunning woman also named Marie, a singer in a traveling circus. The new friends start a vaudeville act that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.
The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.
Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.
Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.
Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.
Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.
Jack Beauregard, an ageing gunman of the Old West, only wants to retire in peace and move to Europe. But a young gunfighter, known as "Nobody", who idolizes Beauregard, wants him to go out in a blaze of glory. So he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.
Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers
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During the Mexican Revolution, Pancho Villa is wounded and left his large treasure in gold back in the city of Colón. He is forced to establish an alliance with General Urbina, leader, and he asks seven of his faithful guerrillas to take back the gold that he has hidden in a farm, near the New Mexico border, and which will allow him to pay for a new army and guns.
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Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.
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