Fifteen Scaffolds for the Killer (1967)

Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.

1999年12月31日。1000年紀(ミレニアム)最後の日に悪魔が復活。だが悪魔が世界を支配するためには、運命の下に生まれた一人の女が必要だ。教皇の命により悪魔の魔手から彼女クリスティーンを護るべく修道士がNYに飛ぶが、悪魔の前に成す術は無い。だが元刑事で今は民間警備会社で働くジェリコ・ケインは運命に導かれるまま、悪魔からクリスティーンを守る役目をまかされる事になる。新世紀を賭けた壮絶な死闘が今始まろうとしていた。

A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.

Gorgeous IRA operative Marie flees the British authorities and finds herself somewhere in the American continent, where she meets a stunning woman also named Marie, a singer in a traveling circus. The new friends start a vaudeville act that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.

The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

伝説の老ガンマンの前に現われた風来坊。その男はいつの日か、無敵と謳われたガンマンを自分の手で倒したい、と語りながらも、老ガンマンとの対決を何故か避けようとする。果たして、彼の真意は......?

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers

Len and Cody are two friends who can not spend more than two minutes without arguing. These crazy gunmen snatched a Confederate colonel charged an archaic machine gun sidecar soon becomes a coveted prize for all offenders in west Texas.

A thief takes the job as a town sheriff in order to rob a silver shipment before his ex-partner can grab it.

During the Mexican Revolution, Pancho Villa is wounded and left his large treasure in gold back in the city of Colón. He is forced to establish an alliance with General Urbina, leader, and he asks seven of his faithful guerrillas to take back the gold that he has hidden in a farm, near the New Mexico border, and which will allow him to pay for a new army and guns.

Two violent men bent on revenge in the old west.

Sheriff Won't Shoot

A stranger rides into town and says he is looking for a local Indian. Told he left town, the truth everyone has been hiding comes out including the stranger's true identity.

Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.