Diego Arizmendi

Movies

Madrazos En El Barrio
Cinematography
Samuel, father of two young girls who he loves deeply, is an official of a public transportation agency. Taking advantage of his influences to get illegal money, he allows some wrecked minibuses operated by minors to circulate without even caring. Much worse, Samuel is indifferent to the many accidents where innocent people get hurt. However, life will give him a great lesson.
Madrazos En El Barrio
Director
Samuel, father of two young girls who he loves deeply, is an official of a public transportation agency. Taking advantage of his influences to get illegal money, he allows some wrecked minibuses operated by minors to circulate without even caring. Much worse, Samuel is indifferent to the many accidents where innocent people get hurt. However, life will give him a great lesson.
Ni Muy, Muy... ni Tan, Tan... simplemente Tin Tan
Director of Photography
"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City
A Thousand Clouds of Peace Fence the Sky, Love; Your Being Love Will Never End
Cinematography
Gerardo, a 17-year old guy has just finished his relationship with Bruno and starts wandering hopeless through the streets of the city. In his wandering he's tortured by images: each masculine body he sees reminds him of his lover. Gerardo is determined to keep what's left of his dying love. The only comfort he has is a letter that Bruno left him with his boss.
Arrobo
Cinematography
An erotic triangle between two young men and a mature man. The film asks, How can three men endure every trace of an obsessive passion?
Long Sleepless Nights
Cinematography
Bruno, a young prostitute on the streets of Mexico city, spends his free time yearning for his straight friend Umberto. When Umberto rejects him, Bruno reacts with his own violent and misguided actions...
Rubato lamentoso
Cinematography
Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.
Actos impuros
Cinematography
Oscar works in a public bath, where he murders several people.