Cinematography
Samuel, father of two young girls who he loves deeply, is an official of a public transportation agency. Taking advantage of his influences to get illegal money, he allows some wrecked minibuses operated by minors to circulate without even caring. Much worse, Samuel is indifferent to the many accidents where innocent people get hurt. However, life will give him a great lesson.
Director
Samuel, father of two young girls who he loves deeply, is an official of a public transportation agency. Taking advantage of his influences to get illegal money, he allows some wrecked minibuses operated by minors to circulate without even caring. Much worse, Samuel is indifferent to the many accidents where innocent people get hurt. However, life will give him a great lesson.
Director of Photography
"Ni Muy Muy, Ni Tan Tan, Simplemente, Tin Tan. Tin Tan was one of the greatest comdedian-actors in the history of Mexican Cinema. He began his film career during the early years of what became the Golden Age of Mexican Cinema. Throughout the majority of his movies he plays the character of a pachuco; the Chicano/Mexicano in zoot suit, throwing out the tirili phrases and words, and jammin the jitty-bug. With the style and the slang down to a tee, he was picked up in Cd. Juarez Chihuahua by an acting troupe. Touring extensively through-out Mexico with the troupe landed him in Mexico City with film contracts. It was in those films that Tin Tan exposed the image of the pachuco, which Mexican Youth adopted. From the desert border-towns of Juarez y El Paso the style took off in various parts of the country, most notably in Mexico City
Cinematography
Попытка средствами кино и поэзии передать сумятицу чувств и эмоций, которую испытывает влюбленный человек.
Cinematography
An erotic triangle between two young men and a mature man. The film asks, How can three men endure every trace of an obsessive passion?
Cinematography
Bruno, a young prostitute on the streets of Mexico city, spends his free time yearning for his straight friend Umberto. When Umberto rejects him, Bruno reacts with his own violent and misguided actions...
Cinematography
Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.
Cinematography
Oscar works in a public bath, where he murders several people.
