Vahidin Prelić

Jovana works behind the counter at a bakery in the small town where she lives with her father. Her somewhat shy peer Marko is supposed to follow in his own father’s footsteps and become a truck driver. But the events of one night change both their lives… Serbian director Stefan Malešević debuts with a formally distinctive triptych whose loose narrative structure challenges the viewer to actively participate in putting together the pieces of the mosaic.

‘Borders, Raindrops’ is a film about love, maturity, and hope, growing in a barren and abandoned landscape. The film is divided in two parts, with the protagonist, a young woman – Jagoda – connecting them as a ghostly presence, bringing hope and reconciliation within the two narratives. She is a student visiting family in the summer, living in the declining villages of former Yugoslavia, overlooking the Adriatic coast. In the first story she bonds with a cousin in his mid-thirties, who is building a house in the village, but has no one to marry and live with him. In the second, she helps a teenage cousin understand that his nation is no better than others, and that they all have to learn to live together on the recently established borders.

The International Space Station is now a prison - the ultimate black site. No one's getting out. And no one knows it's there. But when the imprisoned terrorists take over the Station and turn it into a missile aimed at Moscow, only a shuttle pilot and a rookie doctor can stop them. Their task is complicated by a rogue CIA agent (Scott Adkins) who has his own plans for the station and the terrorists within.

A police-escorted prisoner transport supervised by Interpol sets off to Belgrade. The route leads the transport through Pančevo, where they encounter an ecological disaster and infected people who are trying to kill them. Interpol agents Mortimer Reyes and Mina Milius soon realize that their only chance for escape from the zombie hordes lies in allying with the dangerous, mysterious prisoner.