Miguel Ángel González

Birth : 1945-01-22, Madrid, Spain

Movies

Ti piace Hitchcock?
Executive Producer
In 1990, as a boy, Giulio was chased through the woods by two women after spying on them practicing witchcraft. Now a young film student in Turin, he watches his neighbors in the flats across from his third floor apartment, especially Sasha when she's naked or arguing with her mother. Giulio's girlfriend is disgusted with his voyeurism, but, after a murder occurs, Giulio is convinced that two relative strangers, just as in Hitchcock and Highsmith's "Strangers in a Train," have agreed to murder each other's bête noir. He follows his suspects, ends up with an intruder and a broken foot, and may be in real danger. Is he more than a peeping Tom?
The Others
Line Producer
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Like a Bolt of Lightning
Line Producer
Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.
Muere, mi vida
Production Manager
Carmen on Ice
Production Manager
Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
Check to the Queen
Assistant Director
After Paula's suicide, her best friend, Ana, recalls the circumstances that united both women in the past and how they lived a close relationship that could have become more than just a friendship if social conventions had not prevented it.