Reiko Minakami

Movies

Our Marriage
Aya
When two sisters fall in love with the same man, one must decide to look elsewhere.
The Inheritance
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates scheme to procure the money for themselves, enlisting the aid of impostors and blackmail.
The Strangers Upstairs
After moving in to their dream home, newlyweds decide to rent out their second floor to save money. They soon discover the woe of being landlords.
Mist and Shadows
引越やつれ
Manao Horiuchi movie
Zero Focus
One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.
One Step to Happiness
White Blaze
A masterpiece depicting the true feelings, grief and joy of a woman. An adaptation of the novel of the same name by Yasushi Inoue.
I Will Buy You
A talent scout moves sharply, dead-set on signing a promising athlete to the baseball team the Toyko Flowers.
Fountainhead
Hatsue Mikoda
A botanist woos the secretary of an industrialist whose company threatens the local water supply.
The Big Ambition
Always in My Heart
Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.
Aiyoku no sabaki
Motoko Fujikawa works in the Seisen Church as an assistant to pastor Maki Inokichi. Motoko falls in love with Inokichi's virtuous character and devotes herself to the rehabilitation of a delinquent girl, gradually finding her job at the institution more worthwhile than the marriage recommended by her parents. Meanwhile, inside Inokichi's heart a flame of unknowing love for the single-minded Motoko begins to burn...
Sisters
Sincere Heart
A young student falls into a hopeless romantic attraction to a sick girl, whom he can only see from afar.
郷愁
Home Sweet Home
The Ueki family may not be wealthy, but smiles are never in short supply. The father is awarded prize money for 25 years of service to his workplace, but has it stolen on the way home from the ceremony...
A Hen in the Wind
Orie Noma
Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.
The Ball at the Anjo House
After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.
Tōkyō no josei
Itahachi shima
Japanese movie
Fallen Blossoms
Tanehachi
Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants.
Mother's Melody
The prewar film Haha no kyoku (Mother's Melody, 1937) is known for its place in Japanese film history as one of the top three melodramas as well as for its authorship: Yamamoto Satsuo is an auteur not usually associated with filming melodramas. Yamamoto made the film right after he moved, along with his mentor Naruse Mikio, to the Toho film company. A number of subsequent postwar mother's films adopted some of its essences, making it a genre-defining moment in Japanese cinema. This great melodrama is atypical of Yamamoto's output, much of which deals with political corruption and inequities within social institutions and offers a strong anti-establishment appeal.
A Woman's Sorrows
Japanese domestic drama.