Fernando Spiner

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.

For many years, director Fernando Spiner and his friend, the poet Anibal Zaldívar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.

For many years, director Fernando Spiner and his friend, the poet Anibal Zaldívar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.

For many years, director Fernando Spiner and his friend, the poet Anibal Zaldívar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.

For many years, director Fernando Spiner and his friend, the poet Anibal Zaldívar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

This documentary made by Elian Aguilar in 2009 brings together all the genre filmmakers from Argentina in the last 15 years, who tell about their time at the Buenos Aires Rojo Sangre festival. In addition, it details the problems related to genre cinema in Argentina, under the urgent need to provide high-quality products, always taking care of budgets. For its part, it highlights the progress of the 'ultra-independent film scene' in establishing a local genre film market.

Three astronauts are sent on a mission to destroy the moon.

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

The story develops into a lonely town in the middle of the desert, where the only person awake, a man in a suit, is always trying to start a car, but he never can. One day, after walking throught the desert for a long time, a woman and a kid end up in this town. The man in a suit offers them to stay the night. The days go by, and they almost don't trade any words between them. The town is always empty, but functioning. They just pass the nights and days inside, dancing without music, playing videogames or walking on the street, under the neon lights of empty shops, making calls without any answer.. The title (Ballad for a Kaiser Carabela) refers to the first family car manufactured in series in Argentina.