Claude Giraud

Claude Giraud

Birth : 1936-02-05, Chamalières, Puy-de-Dôme, France

Death : 2020-11-03

History

Claude Giraud (5 February 1936 in Chamalières – 3 November 2020) was a French actor. Claude Giraud studied with Tania Balachova at the Théâtre du Vieux-Colombier; Berthe Bovy and Jean Meyer at the École de la rue Blanche (École nationale supérieure des arts et techniques du théâtre, ENSATT). In November 1957 he was accepted as a student at CNSAD Conservatoire national supérieur d'art dramatique, where he studied with Jean Debucourt and Fernand Ledoux. Upon his graduation he was the first male student to win all three categories during the Concourse (Classical Comedy, Modern Comedy, Tragedy). In 1962 he was the first recipient of the newly created Prix Gérard Philipe. He was engaged at the Comédie Française in 1962 as a pensionnaire. Besides his debut role as Valère in Molière's The Miser, he played Arsace in Corneille's Bérénice, and the narrator in the stage adaptation of André Gide's short story Le retour de l'enfant prodigue (The Return of the Prodigal Son). Disappointed that he was only cast in small roles, he left the Comédie Française after a few months to start his film career. He played the leading role as Capitaine Langlois in François Leterrier's movie adaptation of Jean Giono's novel A King Without Distraction in 1962. He was Oedipus in the film adaptation of Jean Cocteau's The Infernal Machine. He joined the Compagnie Marie Bell to play a US tour in New York City, Boston, Washington D.C., and Princeton in October–November 1963. For his presentation of Hippolite in Phèdre and Titus in Bérénice at The Brooks Atkinson Theatre on Broadway, he was awarded the Theater World Award. He played the role of the soldier Georges in Roger Vadim's Circle of Love, a film adaptation of Arthur Schnitzler's scandalous play La Ronde (play). Between 1964 and 1966, Claude Giraud played the part of Philippe de Plessis-Bellières beside Michèle Mercier in three Angélique films: Angélique, Marquise des Anges, Marvelous Angelique, and Angelique and the King. He returned to the Comédie Française in 1972 and became the 460th sociétaire in 1976. He left again in 1982 to join Jean-Laurent Cochet's newly created Théâtre Hébertot. He gained fame in TV series as hero Morgan/Jacques de Saint-Hermine in the adventure series Les Compagnons de Jéhu by Michel Drach adapted from the eponymous novel by Alexandre Dumas. Bernard Toublanc-Michel engaged him in 1967 for the role of d'Aulnay in Adolphe ou l'âge tendre. The TV series Les rois maudits, where he played the role of Sir Roger Mortimer, was another huge success. In 1973, he played the fictional Arab revolutionary leader Mohamed Larbi Slimane, who poses as Rabbi Zeiligman in The Mad Adventures of Rabbi Jacob with Louis de Funès. In the TV movie Mamie Rose (1976) he played Claude Jade's husband Régis, whose marriage is saved by an au-pair granny played by Gisèle Casadesus. Other TV series include Mathias Sandorf (1979), in which he played corrupt banker Silas Toronthal, based on Jules Verne's eponymous novel. He married Catherine Marquand (1943-2012), a fellow acting student at the Conservatoire, in 1963. They had a son, Louis (*1963), and a daughter, Marianne (*1966), who is also an actress and married to French actor and director Jean Martinez. ... Source: Article "Claude Giraud" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Profile

Claude Giraud
Claude Giraud

Movies

The Black Angel
Romain Bousquet
Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.
L'amour est un jeu d'enfant
Karlsen
Benjamin lives with his widowed father, a designer and a bohemian artist. Olivia, his best friend, lives with his divorced mother, a lawyer who lives only for his work. Children decide to organize a meeting between the two parents, but unfortunately, neither seems interested in the other. Still, the two friends did not give up and seek new ways for the emergence of love between their parents.
Coma dépassé
Le Docteur Magnien
Le loup blanc
Hervé de Vaunoy
In the 18th century, the peasants of the forest of Rennes were oppressed by the Regent in the name of taxation. Their lord, the Marquis de Trémi, goes to Paris to denounce these abuses.
Mamie Rose
Régis
Milady
Grumbach, le banquier
Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.
Madame Bovary
Rodolphe Boulanger
La guerre du pétrole n'aura pas lieu
Toumer
Directed by Souheil Ben-Barka.
The Mad Adventures of Rabbi Jacob
Mohamed Larbi Slimane / Rabbi Zeiligman
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Tartuffe
Cléante
French television adaptation of Moliere's play.
Phèdre
Hyppolyte
In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.
Adolphe ou l'âge tendre
d'Aulnay
Angelique and the King
Philippe de Plessis-Bellières
Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.
Angelique: The Road To Versailles
Philippe de Plessis-Bellières
Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.
Angelique
Philippe de Plessis-Bellieres
In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
Circle of Love
Georges
In a chain reaction of romantic adventures, various people play musical beds in a remake of Max Ophul's "La Ronde."
A King Without Distraction
le capitaine Langlois
A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.