Claude Giraud

Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.

Benjamin lives with his widowed father, a designer and a bohemian artist. Olivia, his best friend, lives with his divorced mother, a lawyer who lives only for his work. Children decide to organize a meeting between the two parents, but unfortunately, neither seems interested in the other. Still, the two friends did not give up and seek new ways for the emergence of love between their parents.

In the 18th century, the peasants of the forest of Rennes were oppressed by the Regent in the name of taxation. Their lord, the Marquis de Trémi, goes to Paris to denounce these abuses.

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

Directed by Souheil Ben-Barka.

자신이 백인이고 천주교인임을 자랑스럽게 생각하고 그외의 다른 사람들에 대해서 지독한 편견을 갖고 있는 피베르는 차를 타고 여행에서 돌아오던 중 교통사고를 당해 차와 같이 물에 빠지게 된다. 유태인 기사는 안식일이라 일을 할 수 없다고 떠나고, 밤이 되어 그는 혼자 먼 곳의 불빛을 찾아 어느 공장으로 들어간다. 그곳에서 어떤 독재 아랍공화국인들이 슬리만이라는 쿠테타 음모자를 묶어 놓고는 심문하는 광경을 목격하는데 그것 때문에 결국 슬리만과 함께 쫓기는 처지가 된다. 그러다가 그들은 우연히 미국 뉴욕에서 파리에 다니러 온 야곱이라는 유태인 랍비와 그의 보조 랍비인 샤뮤엘의 옷을 빌려입고 유태인 구역으로 간다. 야곱 랍비를 기다리고 있던 유태인들은 피베르를 의심없이 야곱 랍비로 알고 열렬히 환영한다. 유태교에 대해서 아무것도 모르는 그가 랍비 행세를 하자니 여간 고충이 아닌데 마침 그의 유태인 기사가 나타나 그를 도와준다. 그러는 사이에 독재정권에 항거하는 슬리만의 쿠테타가 성공해서 슬리만은 대통령으로 추대된다. 피베르는 자신의 딸과 첫눈에 사랑을 느낀 슬리만을 주저없이 사위로 맞아 드린다. 그동안의 작은 모험들이 유태인과 유색인종에 대한 그의 편견을 깨트리는 것이다.

French television adaptation of Moliere's play.

In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.

Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.

Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

In a chain reaction of romantic adventures, various people play musical beds in a remake of Max Ophul's "La Ronde."

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.