Walter Amann

Tells the story of a group of gangsters hiding out in a vacation-bungalow who get more than they bargained for.

Yes. It's a Chuck Berry song. You picked it up in your search engine covering Berry's obit.

After Henny's father loses his job at her ex-fiancee's shipyard because of Henny's affair with Sigi, he begins to panic about how to make a living and tries to find new quarters. His sister, Henny's aunt Marlene, suffers as a result of his chaotic efforts. The path to his new life requires that Henny get married, as the aunt is a strict puritan. But whoever knows Henny can be sure that things will take a few unexpected turns...

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while Hannah is still totally immersed in this passionate love affair, she unknowingly and progressively gets caught in a web of danger. Behind the harmless dolls and teddy-bears produced by the company a deadly secret is revealed. And for Hannah, the game of love suddenly turns bloody.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Weininger's last despondent hours are depicted in a dramatic furioso. His whole life passes by like distorted images in a mirror. The young genius fights a desperate battle against time, his fellow men - and against himself.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

Germany, around the turn of the century. When sailor Poldi returns to his Bavarian home village after many years at sea he falls for his childhood friend Dorle. But Dorle is already promised to the village blacksmith Domini. A bitter rivalry between the two ensues.

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.

A nihilistic art student meets the mysterious Edgar Allen at a coffee shop in Venice. The fascination for the older man soon turns into paranoia.