Walter Amann

Tells the story of a group of gangsters hiding out in a vacation-bungalow who get more than they bargained for.

Yes. It's a Chuck Berry song. You picked it up in your search engine covering Berry's obit.

After Henny's father loses his job at her ex-fiancee's shipyard because of Henny's affair with Sigi, he begins to panic about how to make a living and tries to find new quarters. His sister, Henny's aunt Marlene, suffers as a result of his chaotic efforts. The path to his new life requires that Henny get married, as the aunt is a strict puritan. But whoever knows Henny can be sure that things will take a few unexpected turns...

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.

오스트리아의 여름은 아름답지만 약간 서늘하다. 티롤계곡의 저녁은 예고 없이 어두워지곤 한다. 호숫가 별장으로 향하는 게오르그 가족의 자동차를 내려다보는 높은 카메라는 이들의 왜소함을 강조하는 듯하다. 그들은 헨델, 모짜르트를 좋아하고, 함께 휴가를 즐길 이웃이 기다리고 있다. 그러나 그들을 맞이한 이웃의 태도는 어딘가 냉랭한 기운이 감돈다. 이상한 느낌이지만 크게 신경 쓸 일은 아니다. 게오르그의 부인 안나는 짐을 대충 정리하고 저녁을 준비한다. 이때 찾아든 낯선 청년 피터, 이웃의 에바가 보냈다며 달걀 4개를 빌려 달라고 한다. 이웃 에바의 사촌이라고 나타난 피터, 청년의 행동이 어딘가 이상하다. 전화기를 물에 빠뜨리지 않나, 달걀을 깨먹질 않나, 달걀을 더 내놓으라고 태연자약하게 요구하질 않나, 낯선 청년 폴의 등장은 더욱 안나를 불쾌하게 하고 신경이 날카로워진 안나는 그들에게 나가라는 요구를 하게 된다. 악의라고는 찾아볼 수 없던 청년들의 태도가 돌변하고 안나와 게오르그는 어쩔 줄 몰라한다. 골프채로 가볍게 게오르그의 다리를 부러뜨리고 관객을 향한 눈짓과 함께 재밌는 게임이 시작된다. 도저히 상상할 수 없는 게임이 펼쳐진다. 폴과 피터는 안나가족을 내일 오전 9시까지 모두 죽인다는 전제 아래 게임을 시작하며 관객에게도 참여할 것을 요구한다. 객석을 향한 폴의 눈길이 한없이 불편하지만, 조종권은 이미 그들에게 있다. 그리고 차례차례 죽어가는 살인 파티. 왜 이들은 반항하지 않는가라는 의문은 쓸데없는 일, 리모트 콘트롤을 이용한 반전은 왜 이들이 무기력하게 죽어갈 수 밖에 없는지 설명한다.

The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while Hannah is still totally immersed in this passionate love affair, she unknowingly and progressively gets caught in a web of danger. Behind the harmless dolls and teddy-bears produced by the company a deadly secret is revealed. And for Hannah, the game of love suddenly turns bloody.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Weininger's last despondent hours are depicted in a dramatic furioso. His whole life passes by like distorted images in a mirror. The young genius fights a desperate battle against time, his fellow men - and against himself.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

Germany, around the turn of the century. When sailor Poldi returns to his Bavarian home village after many years at sea he falls for his childhood friend Dorle. But Dorle is already promised to the village blacksmith Domini. A bitter rivalry between the two ensues.

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.

A nihilistic art student meets the mysterious Edgar Allen at a coffee shop in Venice. The fascination for the older man soon turns into paranoia.