Story
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Writer
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Director
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Story
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
Producer
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
Writer
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
Director
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
Producer
Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.
Screenplay
Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.
Director
Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.
Producer
On the trail to catch the killer of his brother, Achmad easily defeats a bandit who challenges him. This impresses Citra, a child, who since then follows Achmad wherever he goes. When they come to a village threatened by robbers, Achmad stops and tries to solve the problem. One of the tough guys of the village, Wirya, notices Achmad and is impressed by him and Achmad’s religious devotion. He becomes friends with Achmad and asks him to agree to his condition not to bother Aisah, a village girl, who is actually in love with Achmad. Then the robbers launch a major attack, which Achmad repels. From the defeated chief, Achmad finds out that Wirya is the killer of his brother. Wirya admits killing Achmad’s brother, for committing crime and adultery.
Producer
Djoni is a promoter who likes to scam artists by being very persuasive. He is trusted to arrange a performance that is meant as a fundraising gala. Top singers such as Rachmat Kartolo and Titiek Puspa become the stars of the show. Djoni displays his skills, so that even when he cheats, he manages to improvise and arrange the show. They depart for Bandung by borrowing a bus and on the road, there are arguments, jealousy and suspicion amongst the group. The film shows the ups and downs of the life behind the stage. Inspite of everything, the performance is a success.
Producer
After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Director
After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Screenplay
After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Story
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
Screenplay
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
Director
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
Producer
The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.
Story
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
Screenplay
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
Producer
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
Director
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
Screenplay
Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.
Producer
Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.
Director
Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.
Producer
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
Story
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
Screenplay
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
Director
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
Story
A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.
Screenplay
A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.
Director
A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.
Producer
The title was taken from a popular Minang folk-song by Gumarang Orchestra, conducted by Asbon. This film was not released.
Screenplay
The title was taken from a popular Minang folk-song by Gumarang Orchestra, conducted by Asbon. This film was not released.
Director
The title was taken from a popular Minang folk-song by Gumarang Orchestra, conducted by Asbon. This film was not released.
Story
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
Screenplay
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
Producer
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
Director
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
Director
Husein is brought to trial after trying to commit suicide. He refuses to give an explanation until he is forced to. Then he begins his story. Husein enters university with help from his unmarried brother, Hasan, who dedicates his life for Husein and his sister Munah who has a heart ailment. But when Hasan meets Rahimah, Husein’s friend, Wahab, gets jealous as he considers her as his girlfriend. Wahab is very bitter about this and swears revenge. At Munah’s urging, Hasan marries Rahimah. Their happiness is short-lived since Wahab starts to woo Rahimah. After Husein punches Wahab, the latter starts spreading slander. He tells Hasan that Husein is sleeping with Rahimah. Jealousy and rage start to build up and Husein and the pregnant Rahimah are thrown out of the house.
Producer
An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.
Screenplay
An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.
Director
An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.
Producer
Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.
Producer
Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.
Screenplay
Armansyah Perkasa Alam, a rising movie and radio star, receives a lot of fan letters that he uses to indulge his playboy behaviour. His friend, Trisno, keeps cautioning him to no avail. Armansyah begins to juggle too many appointments with too many girls. Finally, all eight girls that he is trying to seduce realise his trick and they all leave Armansyah.
Producer
Armansyah Perkasa Alam, a rising movie and radio star, receives a lot of fan letters that he uses to indulge his playboy behaviour. His friend, Trisno, keeps cautioning him to no avail. Armansyah begins to juggle too many appointments with too many girls. Finally, all eight girls that he is trying to seduce realise his trick and they all leave Armansyah.
Director
Armansyah Perkasa Alam, a rising movie and radio star, receives a lot of fan letters that he uses to indulge his playboy behaviour. His friend, Trisno, keeps cautioning him to no avail. Armansyah begins to juggle too many appointments with too many girls. Finally, all eight girls that he is trying to seduce realise his trick and they all leave Armansyah.
Producer
The film tells a story about a family with six children. The father is often angry with everyone except the eldest child (Mieke Wijaya). Then the family situation deteriorates further when mother falls ill and is hospitalized. Finally, problems are solved thanks to the calmness and charm of the third sibling (Indriati Iskak).
Director
The film tells a story about a family with six children. The father is often angry with everyone except the eldest child (Mieke Wijaya). Then the family situation deteriorates further when mother falls ill and is hospitalized. Finally, problems are solved thanks to the calmness and charm of the third sibling (Indriati Iskak).
Producer
Set during the period after the war of independence when many rogue gangs try to control different areas,
Screenplay
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
Story
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
Producer
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
Tamsil
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
Director
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
Story
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
Screenplay
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
Producer
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
Director
Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.
Producer
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
Director
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
Producer
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
Director
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
Producer
Prior to his death, Mutalib tycoon ordered his son Dullah to search for a legacy that is listed on the secret map. Fearing that his son, who had been studying abroad, knew only the truth, Mutalib asked his friends, Cepot and Udel to help and guide his son, including being told about the secret map. Joko, the deceased's assistant, is trying to seize the map with the help of Mutalib's private secretary, Fatimah. Udel and Tjepot were kidnapped and threatened by Jim. Udel and Tjepot fled to Sukadamai. This run was made funny. Joko successfully snatched the map from the Dullah and went to Sukadamai which was the clue to the inheritance. Thanks to the help of Udel and Tjepot, the Dullah was able to find the treasure. What is the content of that inheritance? Just a piece of paper urging Dullah to work. The insane Dullah who wanted to work hard after getting the message, also fell in love with the local girl, Siti.
Producer
During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.
Screenplay
During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.
Director
During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.
Producer
During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.
Director
During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.
Producer
Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.
Producer
Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.
Story
After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.
Story
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Producer
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Director
Depicting the celebrated recapture of the town of Yogyakarta from Dutch forces in March 1949, by Indonesian youth of the resistance and members of the Indonesian army. Although it was held only for a few hours, it resulted in a UN resolution calling on the Dutch to leave.
Writer
An unexpected encounter between an estranged father with his former family that he had left for another woman.
Producer
An unexpected encounter between an estranged father with his former family that he had left for another woman.
Director
An unexpected encounter between an estranged father with his former family that he had left for another woman.
Producer
It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.
Writer
It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.
Director
It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.
Story
The arrogant young man, Harsono debauches Suryani and leaves her for the city. Harsono's brother, Sutopo takes responsibility by marrying the girl who he is actually in love with. In the city, Harsono is drawn to the floozy Sandra. When he realizes his mistake, he takes it out on Sandra. Sandra's death, however, is caused by a heart attack, and not by his actions. Harsono goes back to his village. Sutopo tries to reconcile Suryani with Harsono when he returns. But Suryani chooses to stay with her husband, Sutopo.
Director
The arrogant young man, Harsono debauches Suryani and leaves her for the city. Harsono's brother, Sutopo takes responsibility by marrying the girl who he is actually in love with. In the city, Harsono is drawn to the floozy Sandra. When he realizes his mistake, he takes it out on Sandra. Sandra's death, however, is caused by a heart attack, and not by his actions. Harsono goes back to his village. Sutopo tries to reconcile Suryani with Harsono when he returns. But Suryani chooses to stay with her husband, Sutopo.
Screenplay
Abdulkadir is a scrooge. He works as a loan shark. His daughter, Suliati, is going steady with Ahmad. But Abdulkadir resents his daughter's lover due to his poverty. Instead, he pairs off Suliati with the wealthy Abdulrachman. Meanwhile, Abdulkadir is dating Rohana, his own son, Ramelan's girlfriend. Finally, it is revealed that Ahmad is actually Abdulrachman's son. In the end, Ahmad gets to marry Suliati.
Director
Abdulkadir is a scrooge. He works as a loan shark. His daughter, Suliati, is going steady with Ahmad. But Abdulkadir resents his daughter's lover due to his poverty. Instead, he pairs off Suliati with the wealthy Abdulrachman. Meanwhile, Abdulkadir is dating Rohana, his own son, Ramelan's girlfriend. Finally, it is revealed that Ahmad is actually Abdulrachman's son. In the end, Ahmad gets to marry Suliati.