Three Maidens (1956)

Liz Gilbert had everything a modern woman is supposed to dream of having – a husband, a house and a successful career – yet like so many others, she found herself lost, confused and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy, the power of prayer in India and, finally and unexpectedly, the inner peace and balance of true love in Bali.

With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.

After sparing a girl's life during a massacre, an elite Triad assassin is targeted by an onslaught of murderous gangsters.

Kenny Wells, a modern-day prospector, hustler, and dreamer, is desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.

At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse.

Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.

Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.

A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.

A group of English, American, Dutch and Australian women creates a vocal orchestra while being imprisoned in a Japanese POW camp on Sumatra during World War II.

After being trained in the art of silat, a disciple gets sent on a journey by his mentor to take down a treacherous e-pupil with a villainous plan.

A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.

A group of surfers arrives in a remote spot off the Australian coast, and the isolation and pressure push one person over the edge, leading to a violent outburst and a fight for survival.

Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.

On an obscure Pacific Island just north of Australia, the Japanese Empire has operated a prisoner of war camp for Australian soldiers. At the close of World War II, the liberated POWs tell a gruesome tale of mass executions of over eight hundred persons as well as torture style killings of downed Australian airmen. In an attempt to bring those responsible to justice, the Australian Army establishes a War Crimes Tribunal to pass judgement on the Japanese men and officers who ran the Ambon camp. In an added twist, a high ranking Japanese admiral is implicated, and politics become involoved with justice as American authorities in Japan lobby for the Admiral's release. Written by Anthony Hughes

Eight young people from various reasons and motives coincidentally rob a bank at the same time. They had to work together to find answers to the puzzles, and find the best solution for all.

Linda is a young woman of Chinese heritage whose mother converted to Christianity after gaining some fame as a badminton player. Her friend Cahyono is tired of anti-Chinese prejudice and now tells people he’s from Japan. Together, they try to make sense of their place in the Indonesian society.

Released directly to video, this action film features John Phillip Law as Ted Barner, a low-level employee of a corporation in Indonesia who is charged with testing a new laser weapon. Accompanied by an engineer who works for the corporation and a friend, Barner heads out to the test site with the laser in tow. Before the three can get very far, they must outrun an evil Texas industrialist who intends to grab the laser for himself. They are joined by a female reporter and end up at the site of the test, where their problems are just beginning.

Twenty-year-old Joseph and his sixteen-year-old sister Suzanne live in the merciless conditions of an intemperate foreign land with their widowed mother. Their mother attempts to exert a hold on her children by involving them in the family's run-down rice plantation. However the siblings seek liberation, and look for this in their romantic lives. Suzanne becomes involved with Michael and Joseph finds a love interest in Claude.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.