Three Maidens (1956)
ジャンル : ドラマ, 音楽
上映時間 : 1時間 40分
演出 : Usmar Ismail
脚本 : Usmar Ismail, Alwi Dahlan
シノプシス
Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.
ライターのリズは旅行先のバリで、手相を占える薬剤師のもとを訪れる。リズは歯の抜けた人のよさそうな薬剤師から、「生涯に２回結婚し、１回は短く１回は長い」「半年から一年の間にすべてを失うが、そのあと再び取り戻せるから安心するように」などと言われる。 帰国したリズに、夫のスティーヴンは仕事をやめて大学で学び直したいと言う。ふたりはマイホームを買ったばかりで、リズは夫との将来と価値観の違いに激しい不安を抱くようになる。リズは生まれて初めて真面目に神に祈った結果、離婚を決意する。 家を出て親友のデリア夫婦のもとに転がり込んだリズは、離婚協議がすすむなか、自分が執筆した芝居に出演する28歳のハンサムな俳優デヴィッドと出会う。ふたりは付き合うようになり、リズはデヴィッドのアパートに住むようになるが、夫を忘れるための恋は次第にうまくいかなくなる。 リズとデヴィッドは、やがて互いを罵り合うようになる。何もかもがうまくいかなくなって、途方に暮れたリズは、バリの薬剤師の言葉を思い出して、一年間をかけて外国を巡る旅に出ることを考え始める。ずっと行ってみたかったイタリアを回って、デヴィッドのヨガの導師を訪ねてインドを経由し、最後にバリの薬剤師のもとへ行く長い旅の計画に、親友のデリアは反対する。それでもリズは、周囲の反対を押し切って、自分を見つめ直す旅に出発する。
With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.
After sparing a girl's life during a massacre, an elite Triad assassin is targeted by an onslaught of murderous gangsters.
インドネシアの山奥で過去最大と呼ばれる巨大金脈を発見し、
一攫千金の夢を成し遂げた探鉱者、ケニー・ウェルス。倒産寸前だった彼の会社はV字回復。
ウォール街の巨大投資銀行から全世界の金山を牛耳ってきた黄金王までがケニーの成功を賞賛し、
それを連日報じる全米のメディアは、彼を一躍スターへと押し上げた。
そんな中、報じられたのは衝撃のニュースだった。170億ドルの金塊が一夜にして消えた―。
「オレは何も知らない！」ケニーの主張も空しく、会社の株価は大暴落。
混乱の中、メディアや株主からの追求は激しさを増し、そして遂にFBIの捜査が始まった。
騙したのは、誰だ―。
インドネシア・ジャカルタのインターナショナルスクールで、卒業を直前に控えた生徒20人に特別な課題が出される。それは核爆発により荒廃した世界で、10人分のシェルターに入る人間を20人の中から選び出すというもの。科学者や軍人などの職業が与えられ、仮想終末世界での討論が繰り広げられる状況で、仮想と現実の境界線がはっきりしなくなり、やがて生死を左右する戦いへと発展していく。
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Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.
On an obscure Pacific Island just north of Australia, the Japanese Empire has operated a prisoner of war camp for Australian soldiers. At the close of World War II, the liberated POWs tell a gruesome tale of mass executions of over eight hundred persons as well as torture style killings of downed Australian airmen. In an attempt to bring those responsible to justice, the Australian Army establishes a War Crimes Tribunal to pass judgement on the Japanese men and officers who ran the Ambon camp. In an added twist, a high ranking Japanese admiral is implicated, and politics become involoved with justice as American authorities in Japan lobby for the Admiral's release. Written by Anthony Hughes
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Released directly to video, this action film features John Phillip Law as Ted Barner, a low-level employee of a corporation in Indonesia who is charged with testing a new laser weapon. Accompanied by an engineer who works for the corporation and a friend, Barner heads out to the test site with the laser in tow. Before the three can get very far, they must outrun an evil Texas industrialist who intends to grab the laser for himself. They are joined by a female reporter and end up at the site of the test, where their problems are just beginning.
Twenty-year-old Joseph and his sixteen-year-old sister Suzanne live in the merciless conditions of an intemperate foreign land with their widowed mother. Their mother attempts to exert a hold on her children by involving them in the family's run-down rice plantation. However the siblings seek liberation, and look for this in their romantic lives. Suzanne becomes involved with Michael and Joseph finds a love interest in Claude.
Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.
